Picking Up Dropped Threads

No, this is not a post about knitting or weaving…at least, only figuratively.

This week I’ve been struggling to pick up an unfinished manuscript and get it moving forward again. I wrote over 50k words of a second Magica Incognita novel last November, and expected to finish the first draft early this year with an eye to rewriting and editing in the spring, and maybe a publication date this past summer.

Well, due mainly to consuming family issues, nothing beyond projects I had outside commitments for happened from early spring to fall this year. I’m very pleased that I was able to keep all of those commitments…but other projects fell by the wayside.

I’ve said before that the key to a really successful NaNoWriMo draft is getting to “the end.” It doesn’t matter how much work that manuscript will take in revisions and rewrites and adding new subplots and taking it apart and putting it back together again–it’s all easier if you have a finished first draft that has a beginning, a middle, and an end.

Well, I didn’t get anywhere near “the end” of The Chaos Assassin. And the intervening ten months or so have effectively blurred the progression of plots and clues and conversations in my mind so that I sat down at my desk this week not really knowing where to start. Reading through the existing manuscript was a good place to start, of course, as well as reviewing all my notes and mind maps. I also made a timeline of the existing events in Aeon Timeline, a program I recently purchased. Seemed like a good way to try it out, and so far, I like it.

But even all of that didn’t get the story back in my head the way it was when I was writing that first draft. I still feel like I’m floundering around with a fistful of plot threads and no clear idea what to do with them.

So I am going to try making an outline.

Yup, me. Making an outline. Weird, right? Not just of what’s already written–I usually do that anyway, after the fact or as I go along, because it’s invaluable for rewrites later. No, I’m going to go further. I’m going to catch up to where I have written and keep going. Plan out the rest of the novel and then write it.

My head’s almost exploding at this point.

Since I’m not an outliner by nature, I decided to get a little help by looking at various outlining methods online. I wasted  spent a fair bit of time perusing articles, charts, worksheets, etc., but in the end came back to one I’d looked at before and that sort of spoke to me: Blake Snyder’s Beat Sheet. Actually, an enhanced version of it by Tom Gowan. And a little bit of Dan Wells’ 7-Point Story Structure and a Scrivener version thrown in for good measure. No, I’m not dedicated to following it rigidly–just to using it as a guide to help put the manuscript back into perspective for me and assist me in finding my way forward.

So here we go. If nothing else, it’s colourful and pretty!

BeatSheet

 

The Summer Library Read

Library_Pataskala_025I’m working my way through my 52-book Goodreads Reading Challenge–a little bit behind, mainly because of writing projects. I haven’t done an actual survey of what I’ve read this year, but I’m going to guess that they’d shake out like this by format: Audio, then Ebook, then Print.

(Well, now that I’ve wondered about it, I DO have to go and check.) Yup, confirmed. Print is at the bottom of the list.

It’s not that I don’t like print books anymore. It’s a matter of convenience–I can multitask and do stuff around the house and garden while I listen to audiobooks. I can easily have an ebook with me wherever I go, on one of my ereaders or even my phone. So while I still love the print format, it’s harder to find space for it in my life.

But not in the summer.

Perhaps because reading print books has become more of an indulgence, they seem to go best with summer reading. I usually devour books in the summertime, and one of the things I love best is the Summer Library Read.

This is the book that you had never heard of before you stopped into the library today. It’s probably the book you wouldn’t be quick to buy, because you know nothing about it, and little about the author. But as you ran your eyes and fingers along the shelf, it spoke to you. The spine caught your eye. The title intrigued. The blurb piqued your interest.

And there was nothing to stop you from giving it a try. Zero committment. Nothing down, nothing to pay (unless you don’t return it on time). You just picked it up, took it to the desk, and then walked out with it. And you’ll settle in to read it at the most indulgent times. When you’re up late because it’s vacation and you don’t have to set the alarm. When you’re at the beach. At the cottage. Sitting out on your step with a cold drink and a bit of shade. Indulging your love of print books, and library books, and the absolute joy of discovering something wonderful and new.

The summer library read. If you haven’t tried it lately, I recommend you give it a whirl. You never know what you might find.

Photo credit: click at Morguefile.com

Exterminate! Exterminate!

256px-Book_burning I’ve read some books I didn’t particularly like. I’ve read some books that I thought had many technical and craft-related flaws. I’ve written reviews on some of those books.

I’ve never felt the need or desire to destroy an author or their book in one of those reviews. I don’t think it’s necessary, professional, or entertaining.

I’m not writing this post because I’ve received any sort of review like this for my own work (or if I have, I’ve been lucky enough not to see it!). But I’ve read some others lately that alternately make me cringe, and make me angry. Have you seen reviews like this? Where the reviewer seems to take a sick delight in completely eviscerating the work–and by association, of course, the author? They can be cleverly written, sure. But their vitriol against the book is actually repulsive. I’m not going to do any of them the service of linking to them. Sadly, they’re not all that difficult to find.

Yes, there are probably more flawed books available now than there ever were before (although don’t think they don’t/didn’t exist inside traditional publishing since its inception). But I don’t know what can prompt a “reviewer” to write such a screed. Even if you think a book is the worst piece of drivel ever written, that opinion doesn’t give you the right to decimate another human being. You can discuss the flaws you found in the book; you can discuss why it didn’t appeal to you; you can even make suggestions for what would have improved it for you. Those thoughts might be helpful to an author in writing another book, and they might be helpful to other readers in deciding whether to read a book.

But if you’re not writing a review with those goals in mind, why *are* you writing it? If it’s to make yourself look clever and rapier-witted at the cost of destroying someone else–you’re just another online bully. And your credibility with me is a big fat zero.

Photo credit: By Patrick Correia from Northampton, MA, United States (Book burning Uploaded by mangostar) [CC-BY-2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons

What Do You Want?

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Not all goals are this simple.

I’ve been struggling with a particular character in this novel rewrite, and her motivations. I think she deserves a bigger place in the story than she has now, but I can’t really figure out what she wants. It’s driving me kind of crazy.

One of the points K.M. Weiland makes in Structuring Your Novel: Essential Keys for Writing an Outstanding Story, is the importance of knowing your characters’ goals early on. This makes sense, of course, since it is goals that mainly drive all character actions and reactions. I’ve felt that I really needed to know this character’s motivations and goals before I could go any further, but she was stonewalling me.

However, I’ve come to the conclusion that maybe that’s not actually the problem. I think maybe this character doesn’t really know what she wants, or how she feels about my main character. That would actually make a lot of sense in the context of their history (or more accurately, their non-history). And it also explains why I can’t figure out what she wants or how she feels–she doesn’t know either. She is curious, she thinks she dislikes the main character…but that’s all she really knows. It’s going to take a while for her to figure things out for herself, and figure out what she wants to do with that negative energy.

In our daily lives, we’re frequently conflicted about our feelings, especially toward other people. Often we are not really sure how we feel about someone until we’ve had some interaction with them. We’re all set to like or dislike them based on external factors or things we’ve heard from someone else…and we’re thrown off-balance when the interaction doesn’t meet with our expectations, for good or bad.

So I’m thinking maybe this is not a bad thing with regard to this character. I think we’re going to make this journey together, she and I, and we’ll see how we feel at the end of the story. It should be interesting.

The Writer’s Ladder of Success

ladder

Look up…look waaaaaay up….

A long time ago, in 2001, when ebooks were barely a “thing” yet and the only format for them was .pdf (ancient history, I know), I self-published an ebook for writers. It was called The New Writer’s Guide to Just About Everything and yes, it’s still around, although it’s sorely in need of an update and a new edition. Another thing on my too-long to-do list. But I digress.

Today I am thinking about a piece in that ebook, titled “The Writer’s Ladder of Success.” In it, I talked about how some new writers think their first sale is the top rung of that ladder, but in reality, that’s only a few steps up. Writing, I said, is the first rung. Finishing is the second. Submitting is the third. You may be stuck on that rung of the ladder for a while before you can climb up to the next one, which is making a sale. That analogy still holds true, I think.

Then, I said, you climb back down and start climbing all over again, writing, finishing, submitting. I think now, with the wisdom and experience of my years of writing (stop laughing!) I’d look at it differently. I think instead of climbing back down, I’d say we can look at it one of two ways: either we go sideways onto another ladder and start climbing from there, or the ladder we started on just keeps going, stretching up into the distance ahead of us. Either way, we’re not starting from scratch; we’re building on what we’ve already accomplished in order to climb to greater heights. Some might find that long, long ladder too daunting to look up at, and like the idea of shorter ones that lead to another, so either way works.

And either view is far more encouraging than feeling like you’re starting every piece from scratch. Of course that’s true in a way, since each writing project is new and comes with its own unique challenges. But we always have the comfortable cushion of our past accomplishments to buoy us up as we tackle the new.

There’s a saying that a writer is only as good as his or her last book. It’s true that we’re often judged that way–and we have to keep our fans happy or we’ll lose them. That’s a lot of pressure, though. I think we’re much more likely to succeed if we continue to feel good about our past successes–and not lose sight of that part of the ladder we’ve already climbed, stretching away below us. One bad song doesn’t make a failed musician; one strikeout doesn’t make a failed baseball player. Why do we hold ourselves as writers to a stricter standard? Why do critics and readers? I’m not really sure.

I closed out that section of the ebook by saying, “…you were a writer from the time you reached that first rung. Don’t let anyone tell you the ladder is not yours to climb.” I think that’s still good advice. I don’t think I’ll change that, should I ever get around to producing a second edition of The New Writer’s Guide.

Keep writing. Keep climbing. Build on what came before. Good advice, and advice I have to keep reminding myself of as I tackle a new project and a new deadline. Because frankly, I like the view from up here.

Photo credit: mensatic

Considering the Working Plan

Boxes1

I actually have fewer than half this many Christmas boxes. Honest.

I’m not one to get over the holidays very quickly or easily. It’s only a few days since my tree and decorations came down and were put away, and as I write this, mere hours since I finally cleaned all the remnants of holiday leftovers out of the fridge. I love Christmas and New Year’s; they’re happy and busy times for our family, and I like to string them out as looooooong as possible.

However. There does come a time when I have to accept the notion that it’s really, really, really time to get back to work. And that means coming up with a new working plan.

I wonder how many writers there are out there who just work on one project until it’s finished, complete it absolutely, and then move on to the next one. Show of hands? Whew. That’s what I was hoping. I didn’t see a single hand out there among you. Like me, most of you have several projects on the back burner, shoved there by time or necessity over the holidays, just simmering until it’s time for you to stick the spoon in and give them a stir. The question for me is always which one to stir first?

I have one obvious answer this year, a project I’ve been mulling over and even picking at a bit over the holiday break. But there are also a few other unfinished bits of business; a manuscript I have to send out for a critiquing swap, one I have to read for Third Person Press, a couple of stories to line edit, and of course, the queue of stories that prompted me to resolve to make 2014 the Year of Finishing. If I’m gonna finish those, I have to pick them up sometime.

The big project has to be one priority, but does anyone else find they have this little voice in the back of their brain as well, saying, “Oh, but look at this one–it wouldn’t take any time at all to finish! You could get that out of the way first.” Which is a big fat lie, in most cases, because if it was that simple, it would already be finished, right? This is my brain trying to sabotage me because it doesn’t want to go back to work, and what the big project needs right now is going to be…well, I don’t want to say “hard.” “Hard” is digging ditches or working backshifts, and I can’t really lay claim to anything like that as I sit here in my cushy office, can I? But it’s going to take work, and my brain is a lazy old thing.

I think that’s part of why it takes me so long to let go of the holidays. My brain is loathe to go back into “work” mode, so even the end of the season…taking down the decorations, cleaning out the fridge, putting the house back to rights…must take as long as possible. But this is it. The end of that road. The house is back to normal. The fridge is clean. Fresh groceries have been purchased, the laundry basket is empty.

Assess, prioritize, tackle. Working plan, here I come.

Photo credit: By skrewtape (http://www.flickr.com/photos/skrewtape/851672959/) [CC-BY-SA-2.0 (http://creativecommons.org/licenses/by-sa/2.0)], via Wikimedia Commons

A Character Blooms

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Who are you, anyway?

I have this character who’s been on my mind a lot lately. She’s a part of the novel I’m re-thinking and rewriting right now, and she’s sort of a sub-villain. Well, that’s not exactly right–she’s not really a villain at all, but definitely an antagonist to the main character. She’s had an interesting life, lived largely in the grey areas of society, because of who she is and who her father was. In a way her life has been a big lie, or a series of big lies, but since her father passed away, she’s felt the itch to do something. To confront the forces from her father’s past that impacted their lives every day. She plays a moderately important role in the draft as it stands now, but lately I’ve been thinking her part needs to be expanded. In fact, I’m thinking about getting inside her head a little more, and giving her more of a voice in the story.

She likes the notion, although she’s not giving up all of her secrets to me yet. I know she’s a bit of a maverick, with a devil-may-care attitude and a motivation to make life difficult for my main character. As she’s written right now, that’s almost all I know about her, and that’s the extent of how she comes across. That, and the fact that she has some secrets she’s not yet ready to share.

However, I’m thinking there’s more to her than that. I’m trying to understand her motivations, and, even more importantly, her goals.

Her goals as she was written in the first draft were mainly to find out more information about my main character, and hassle her a little without doing any real damage. Those goals work, but I’ve come to realize that they are not deep enough, or at least that I have not thought them through enough. I don’t really know why she has these goals. I don’t know if she really hates my main character, or only thinks she ought to hate her. I don’t know what she thinks she will get out of her current course of action. I’m not sure she knows, herself.

I do understand something of her motivations–my main character’s family “wronged” this character’s family, or at least that’s the way she sees it. And she definitely wants to do something about that. She’s driven by a mix of curiosity and a desire for vengeance, but she’s also searching for something. She knows that in some important ways, my main character and her family are like her, so I think she’s unwittingly drawn to them. It could be that without meaning to or expecting it, she actually comes to like my main character.

That may influence her actions, or it may only influence how she feels about her actions. I’m not sure yet. The storyline as it currently stands leaves much about this character unresolved, left for another time and another book. I’d like to retain some of this open-endedness, but I’m not sure how I’m going to do it if I do end up inside her head. I’ll have to reveal a lot more about what she knows and how she thinks. It might not be as neat and tidy as it is now.

But I think…I think it will make for a much stronger story, which is really the bottom line, isn’t it? And once we start hearing these little whispers from the characters in our heads, they become pretty difficult to ignore. She’s telling me “I have more to say,” and I think I’d probably be wise to listen…

Photo credit: mzacha

The Writer’s Test Kitchen

pizza-oven

Some things cook, and some things burn.

I don’t know about other writers, but I, for one, am always looking for a better recipe for writing success. Of course, no single recipe is going to work for every writer, and sometimes it takes a lot of trial and error before you find the combination of ingredients that works for you. Thus, the writer’s test kitchen.

Admittedly, we’re all working with a lot of the same ingredients. Twenty-six letters, check. Determination, check. Imagination, check. Mad wordsmithing skills…hopefully. But that’s not really what I’m talking about. I’m talking more about the practical methodologies, strategies, tricks, lies, and motivators we use to get the job done.

This year, as I mentioned previously, I’m working at being more consistent, and less procrastinate-y. (Is that even a word? If not, I’ve just coined it. Feel free to make use of it as you will.) So here are some of the ingredients I’m cooking up in my test kitchen to see what comes out of the oven at the end of the year:

One daily dose of writing at 750words.com. Yes, I’ve experimented with this ingredient before. It’s got a lot going for it: privacy, motivation, cute badges to earn, reminder emails. I think my longest streak prior to this attempt was 46 days, so I’m out to beat that, at least. 46 days is 34,500 words right there, so whether I use it for blogging, fiction, private rants, or stream of consciousness, it’s productive.

Public goals. Yep, I’m telling the world that I’m finishing some stuff this year. This is a good motivator for me, because I really hate to look like a failure. In anything. Ever. (Note that I have not yet said how many things I will finish this year. Because, see previous sentence.)

Treadmill desk. Although I logged a goodly number of miles at the treadmill desk at the beginning of last year, I did fall off (although not literally) as the year progressed. There were many reasons for this, which I will not bore you with here. However, I have found that I am generally highly motivated to keep writing as long as I keep walking, which should prove useful in trying to be more productive. Also, benefits health-and-weight-wise.

Storylines. Nothing helps me wrangle a manuscript into shape better than doing an index card layout in Writer’s Cafe Storylines. I can visualize the entire story arc, see where characters appear, note the flow of plots and subplots, and insert revision notes exactly where they have to go.

Nirvana app. This little online beauty is great at helping keep goals, lists, and next actions organized and focused. It works on the Getting Things Done principle, and I started using it partway through 2013 with pretty decent success. I’m hoping it will help me stay organized, focused, and also keep me from getting bogged down in those not-writing things.

Evernote. Invaluable for storing notes, ideas, lists, and everything else I will need to keep organized. I use it in conjunction with Nirvava because I like to use Nirvana for time-sensitive things, but Evernote is for, well, everything.

A batch of unfinished manuscripts. Of course, a core ingredient if this is to be the Year of Finishing. I’ll have to vet, assess, and categorize these right off the bat, to see how they might each fit into the yearly plan. For this, I’ll likely use Evernote.

Add all ingredients, mix well, and bake in a consistently hot oven for a year. We’ll see what tasty treats emerge at the end.

Photo credit: Lotus Head

 


Over the Shoulder and Down the Road

the-road-to-your-destiny-by-stealth37-nice-wallpaper-1600x1200In other words, looking back and looking ahead. :)

2013 was a great writing year for me. I started the year by completing revisions on One’s Aspect to the Sun, which then came out from Tyche Books in November. So far it’s been getting wonderful reviews and readers really seem to be enjoying it, which makes me very happy. That was my big news and my big accomplishment, but there were other writing accomplishments, too.

My story, “ePrayer,” came out in Third Person Press’ newest anthology, Grey Area, which also added another notch to my editorial belt. Grey Area was partially funded through our Indiegogo campaign, which was quite an experience in itself–time consuming and sometimes frustrating, but ultimately satisfying. Also with Third Person Press, we read submissions and made final decisions for our next anthology, Flashpoint, so we’ll be moving on to line edits for those stories soon.

I finished a short story for submission to another anthology, and that story became the jumping-off point for my NaNoWriMo effort. NNWM was a win, and although that story is far from finished, I’m pleased with it and will continue to work on it.

I also put two other novels into submission, in March. I’m still waiting to hear on those, and, to tell the truth, I’m getting impatient. Having been through the experience of waiting a long time for a publisher and eventually pulling the manuscript, I’ve vowed not to do that again. That’s a blog post all by itself, though, so I’ll talk more about that another day.

I worked on yet another novel manuscript, which is very close to being finished. I had planned a “novel swap” with a writer friend, but it didn’t come to be. I just couldn’t seem to finish the last few chapters in a way that satisfied me. With luck, he’ll still be willing and we’ll get to that this year, once I wrangle those chapters into shape.

I did preliminary revision work on two other unfinished novel manuscripts, and did some background work on Nearspace, the setting for One’s Aspect to the Sun. Yes, there are more stories to be told in that universe. No, I don’t have any details to share with you yet.

All of which is wonderful but…I could do more.

Once upon a time, I used to start more stories than I finished. Over time, I learned that this was, at least in part, due to starting to write too soon. I’d get an idea and start writing before I had let it “simmer” long enough in my brain. I don’t get along well with outlines, but I’ve learned that I do need to be able to see the structure of the story in my head before I start writing that first scene. That scene usually comes to me full-blown, so it’s very, very tempting to just “get it down” quickly. But as I said, I learned not to give in to that temptation, and finished more stories.

However, I find myself in the position of having a lot of unfinished manuscripts on my hard drive again. I’m not sure what the problem is now; partly trying to juggle too many projects, partly spending too much time on “writerly” things that are not actually writing, partly my propensity to procrastinate. (There, I’ve admitted it!) This time they are mostly novels, as opposed to short stories, thanks to NaNoWriMo, but still…they need to be finished. I came close to finishing that one I mentioned earlier, but didn’t quite make it.

Last year I set just one goal for myself for 2013; I would publish a novel. I’ve decided to make 2014 the Year of Finishing. I’m not saying I won’t start anything new this year, of course, but I really like many of these stories that are languishing only partially complete. I want to go back to them, finish writing them, and make them shine.

I also hope to blog more consistently this year. Last night at our New Year’s celebrations I threw two hopes into the resolution box: more consistency and less procrastinating in my writing life overall. With some luck and determination, they should combine to produce more finished manuscripts in the months to come. Stay tuned and we’ll see what happens from here.

Photo credit: Stealth37

8 Re-Interpreted Signs That You Were Meant to Be A Writer

typeCN0047Earlier this evening there was a tweet going around, linking to “8 Signs That You Were Meant to Be a Writer.” Of course I clicked over to read the eight signs. I like to see how predictable I am sometimes.

Sadly, I didn’t really like the list and explanations. It’s not that they were wrong, necessarily, but it was all sort of drippy and sappy and the explanations for each item were not really explanations at all. It talked about things like secret dreams (about writing) and excuses (for writing instead of doing other things) and yearning (to write). Which is not to say that these things are NOT signs that you were meant to be a writer. I’m not trashing the article. However, I believe the interpretations were slightly off the mark and I have re-interpreted them in what I think are more realistic terms here.*

1. Secret Dreams. Yes, writers have secret dreams. Sometimes they are even about writing. More often they are about quitting the day job, writing the next breakout novel, or even just getting something published so that your family and friends will stop calling you a “writer” in quotation marks and you can stop feeling guilty about all that money you spent on books, workshops, and computer software for writers.

2. Doubt. Absolutely. Doubt is always sticking its head in at the door and saying “Excuse me, loser, but I thought you should know that last paragraph you wrote is absolutely dreadful, that character is so wooden you should name him Pinocchio, and the plot is so full of holes that you could strain jelly through it.” Is doubt a sign that you’re meant to be a writer? Maybe. Because a lot of people who obviously aren’t meant to be writers don’t seem to have any doubt about it at all.

3. Excuses. I have to do laundry. I have to clean the house. I have to make cookies for the school bake sale. I have to exercise now. I have to scour the bathroom cupboards with an old toothbrush and then paint the barn. I have to redesign my website. I have to use social media for the next four hours to promote my writing career. Okay, excuses: check.

4. Inspiration. If you were meant to be a writer, you probably have a love/hate relationship with inspiration. You know that you can’t always wait for it, and that you must learn to work without it or create your own. But it does come to you at times. Usually when you’re driving on a four-lane highway, taking kids to a birthday party, having an emergency meeting with your boss, or giving birth.

5. Perfectionism. If you’re meant to be a writer, perfectionism will always occur in inverse proportion to the amount that is required in a given situation. You’ll think your sucky first draft is good enough and send it to an editor when it’s still so rough it will scratch the editor’s eyeballs. On the other hand, you’ll rewrite, edit, tweak and polish your novel so much in search of perfection that it will start to wear thin and you’ll never send it out.

6. Admiration. You’ll admire other writers, of course. You’ll admire their writing style, their relationship with their adoring fans, their ability to support themselves with their writing, and the wonderful way they “pay it forward” by taking fledgling writers (not you, of course) under their wing and helping THEM become successful, too. Oh, wait. I was thinking of jealousy.

7. Lacking. When you don’t write, you feel like something is missing. But sometimes when you do write, you also feel like something is missing, because it was something you were supposed to do (go to work? feed the kids?) during the time you spent writing. You could end up lacking a job, a family, or a place to live. Oops. Yes, lacking is often a large part of being a writer.

8.Yearning. Yearning to write. Didn’t we cover this in number 1? And possibly number 7 as well? Okay, yes, writers have yearnings. To write, and sometimes to not write. To find perfection, and sometimes to have someone come in and just fix the whole damn mess for you, slap your name on it and call it a day. To have an unlimited supply of chocolate and caffeine, a brilliant idea, and an all-expenses paid week-long writing retreat? Yearning. Oh yeah.

So…are you meant to be a writer? If you’ve read this far, it’s quite probable, because you’re likely supposed to be editing that novel right now…

*Sometimes I write things that I think are funny. If you don’t agree, you don’t have to tell me about it. Just move along, folks, move along.