Title Fight

This is not one of mine.

In a recent interview I (and a number of other authors) did over on the Third Person Press News Blog, one of the questions was about story titles–specifically the title of the story each of us had in the new anthology, Unearthed, and more generally, when and how we get our titles.

The title of my story in Unearthed is pretty simple: “The Cache.” It’s a story about what happens to two characters who go geocaching and find more than they bargained for, so the title seemed a no-brainer. However, it’s probably one of the least interesting ways to get a title that I’ve used, so I thought I’d elaborate a little here.

My two favourite ways to get titles are: 1) have the title come to me before I even know there’s a story to go with it, and 2) find a pre-existing line of verse and take the title from it (either directly or slightly twisted). The first way is a product of serendipity, so it can’t really be planned. It can be coaxed, to some extent–by thinking maybe in very general terms about a theme or setting and just letting the words dance and mix and float around until they coalesce into something. But most of the time it just…happens.

The second way, I go about very methodically. I surf over to Bartleby.net (although I’m sure there are other searchable verse or literary databases out there) and start running searches on keywords that have something to do with the story or story idea. I jot down everything that speaks to me, and then usually at some point I know I’ve got the one I need. Some of the titles I like the best have come out of this process: One’s Aspect to The Sun, Spaces Sharp and Bare, and To Where the Aether Failed. (I see, looking over my list of stories and novels, that this method seems to work best for novels. Huh. I never noticed that before.)

Other titles have come from the subject line in a spam email (Operant Moon), online generators (The Murder Prophet), and song titles (The Light of the Silvery Moon). And then the rest…I guess mostly from a word or phrase that comes out of the story or story idea itself. Sometimes I don’t even know how the title ties in to the story for sure until I’ve written more of it.

I rarely change a title. Maybe it’s a holdover from the old superstition that it’s bad luck to change the name of a horse or a boat, but once a story has a title, that’s usually it for me. In truth, I can think of only one that I changed on the suggestion of an editor. So thus far I guess I’ve been lucky.

Writers, what’s your favourite way to get a title? Readers, do titles ever turn you off before you even read the back cover blurb?

Reduce, Reuse, Recycle (your words)

Something old can turn into something new, with a little work…

I’m pretty big on “living green” wherever possible, and lately I’ve been thinking about how it’s possible for writers to get more mileage out of their writing projects by recycling, too. That’s because I have a project underway that’s taking something old and making it into something new.

Writers have always had the option of reprints–re-selling something that’s already been published, to a new market–but we don’t always think of doing so. In part, perhaps, because many markets specifically say “no reprints,” we are more likely to be thinking about the next new thing than something we might have published a few years ago. That kind of thinking can make us miss out on opportunities, though.

Another kind of recycling involves taking short stories and building on them for larger projects. This works in reverse, too–sometimes a section of a novel can stand alone as a short story or novella, or provide the seed for a tangential story. Everything does not have to be brand spanking new and shiny all the time.

My current project–and this is the first time I’ve mentioned it to anyone, anywhere–involves taking an old ebook project and revamping it with a new twist. Much of the already-written text is completely reusable, but the new product will (if all goes according to plan) be fresh and new for a new audience. I’m getting kind of excited about it, since I’ve actually had time to work on it lately.

What about you? Do you have something “old” in your writing folder that you can reuse or recycle? Maybe there’s buried treasure on your hard drive, so take a look!

Image courtesy of kathaer at morguefile.com

Re-evaluations ~ The First Mistake

It didn’t take me long to uncover the first mistake in my previous time-organization plan. Because yes, I did have a plan before. In fact, it had two elements. I had a detailed calender laid out in Outlook, blocking off each day into segments, and I also had a “daily slog” list in Evernote, with little checkboxes and everything, so that I could keep track of what I was accomplishing. As well as notes in Evernote for projects, to-do lists, time tracking, etc.

So why wasn’t that working? Why did I still seem to have no time to write?

Very simple. Writing was not the first thing on my list every day.

I’ll say it again: writing should have been higher on the list.

See, my thinking was, get all of that other stuff out of the way first (like website updates, blogging, submission tracking, etc.) and then have a clear mind and conscience heading into writing time. For me, however, that just doesn’t work very well. Because all those other things can 1) take more time than one expects, and 2) lead into other things that will take up even more time. And then before you know it, all the chore time and all the writing time have both been used up.

Why didn’t I see this before? I think because I kept telling myself, “once you get all this out of the way, THEN you’ll have more writing time.” But that’s just a trap for the unwary, because, like housework and laundry, all that other stuff is never finished. I was only fooling myself that things could ever get better under that system.

This seems so simple and self-evident now, I feel rather foolish even admitting it. But that’s the only way I’m going to learn. So, step one, I’ve rearranged my Evernote list to better reflect my priorities. I’ve set time limits for non-writing jobs and pulled out my timer program. It’s only a first step, but I think it’s a good one.

Photo by Mattox (http://www.sxc.hu/profile/Mattox)

Dusting Things Off

Well. It’s been a while since my last post, which usually means it must be either early spring, or possibly early fall. I know that because January and February are difficult months for me to stay focused and productive, as are the summer months, although for very different reasons. However, the drip, drip of melting snow outside my office window tells me that this time, it’s spring.

While I’ve been busy not-writing, (albeit doing a lot of other writer-ish things) over the past couple of months, I’ve been considering the problem of how I spend my time. And realizing that I really need to downsize 1) the amount of time I spend on writing-related-but-not-writing endeavours, and 2) the amount of time I spend on things that *seem* important but probably aren’t. I’ve known for some time that this is a problem, but it was highlighted for me recently when I read an article on categorizing activities into quadrants of necessity, distraction, waste, and extraordinary results. I plan on taking a hard look at where my time fits into these quadrants and ways to put more into the fourth one.

Spring is a good time for re-thinking and renewing.

Work is moving swiftly now on the newest anthology from Third Person Press, Unearthed: we have cover images in place, most stories are out to contributors for final review, and we’re ready to start typesetting. We’re hoping for a release date sometime in May, so stay tuned. It’s our biggest crop of stories so far, and we’re excited about it.

Off to make the perfect Evernote to-do list!

Photo credit: johnnyberg

News Roundup

I’m pleased to announce one winner in my book giveaway: Chuck Heintzelman! Chuck correctly identified the provenance of my collection’s title, To Unimagined Shores, as a line from the poem “The Twilight of Earth” by George William (“A. E.”) Russell:

THE WONDER of the world is o’er:
The magic from the sea is gone:
There is no unimagined shore,
No islet yet to venture on.

Chuck’s copy is winging its way to him now!

In other news, all of our Third Person Press titles, including To Unimagined Shores, are on sale from now until Christmas Day for just 99 cents each! This is a great chance to fill your ereader (or someone else’s) with short speculative fiction to keep them reading into the new year. Click over to the order page at Third Person Press and grab your copies!

And finally, I’ll return to my Tales of Tales posts tomorrow, with a look at another story from the collection.

Tales of Tales ~ Part 7: Common Ground

Staying on the science fiction side of things, today I thought I would talk a little bit about “Common Ground,” another story in my collection To Unimagined Shores.

I actually can’t recall the “inciting incident” or the idea spark that led to this story. It’s based around a colony ship arriving at a new planet to find that it’s not as empty as the colonists expected. It also has a lot to do with parenthood, and I suspect the idea first came to me not long after our daughter was born. I do vividly remember lying awake one night thinking about the story and how excited I was to start writing it. There was a particular idea in it that, at that time, I thought was one of the best things I’d ever come up with. It’s a magnificent feeling, when you know you have a great story idea and it’s just waiting to come to life under your fingertips. The wonderful feeling doesn’t always last, and the story doesn’t always turn out to be as fabulous as you thought it was going to, but those moments of excitement and the feeling that you really have something are priceless.

“Common Ground” was published at Nuketown in 2001. Later, in 2003, the aliens from “Common Ground” formed the basis for one of the alien races who showed up in the novel I was writing for National Novel Writing Month, “One’s Aspect to the Sun.” I had obviously enjoyed writing these aliens. They were one of the first really well-developed alien races I’d created, and they have stayed with me. Years later an editor would tell me, “You really do write great aliens.” She wasn’t talking about these aliens in particular, but I’m quite proud of that comment, and it makes me strive, whenever I create an alien race, to make them very believable.

Once past the end of the garden we saw the cave. A dozen yards distant the shrouded entrance gaped blackly in the rock wall. And under a natural outcropping, half obscured by shadow, stood three aliens.

My stomach churned. My own breath made a hollow whistling sound in my throat. These were the creatures who had our babies. I could not even see them clearly yet, but a fist of fear tightened in my chest.

One of them held up a hand, but we had already stopped. The others were armed, not overtly menacing but standing easily erect, perhaps five feet tall and garbed in wrapped shirts and loose leggings.

The apparent leader gave a short speech, the words a tumbled gibber of growls, yips, and barks. It ended on a questioning note.

It’s the last day to enter my contest to win a copy of To Unimagined Shores. Click the link to get all the details, and take a moment to enter. Or if you can’t wait, you can buy a print or ebook copy (in multiple formats) from thirdpersonpress.com, amazon.com, Barnes & Noble, or Smashwords.

Image “Planetfall by Moonlight” copyright 2010 by Sherry D. Ramsey

Tales of Tales ~ Part 6: On The Road With Fiamong’s Rule

Writing some stories is an uphill slog from start to finish, while others are so much fun to write that they practically seem to write themselves. “On The Road With Fiamong’s Rule” was one of those pure-fun stories for me.

Yet another of my stories that was idea-sparked by an anthology call, this one was originally written for an anthology looking for road trip stories–with, of course, an element of the speculative thrown in. The idea of a human-alien partnership in that road trip materialized quite quickly, as I recall, and as I said, the story seemed to write itself. This was one that I actually finished before the anthology’s deadline date, submitted and had accepted. Alas, something went wrong with the project, the anthology itself never made it to print, and I had to send the story out looking for another home. Such are the vagaries of the writing life.

The good news is that it did find another home, in the premiere issue of the Canadian Neo-Opsis magazine. If you look carefully, you can actually see my name on the cover. That was a first for me. Cool!

This story doesn’t follow a strict chronological timeline–there’s a fair bit of jumping back and forth between the “present” of the story and flashbacks to the past and the events leading up to the story’s “present.” I think I was experimenting a bit when I wrote this one, and I’d probably just been reading something that recommended starting a story “in medias res”–in the middle of the action. To illustrate what I mean by that, here’s the opening:

The worst moment of the whole trip came just before three a.m. on Friday. I stood in the driving rain, mud seeping insidiously into my shoes. The alien’s outline looked enormous in the dark, and the tire iron in his hand even more so, silhouetted against the probing glare of the police car’s headlights. When the cruiser had driven past a moment ago I thought we might be in the clear, but no, it had turned and was coming back.

My credit card was still being held hostage by the jerk at the service station and I had lost the rest of my ID in the motel fire. We had to make it to Ottawa by noon the next day or the entire mission could fail. I had about thirty seconds to think of something to tell the police, and if I didn’t get rid of them quickly, the alien would give himself away and we’d both be in the soup.

What was I, a previously normal at-home-mom of two, doing here? Tim was going to be furious when he found out.

Definitely the worst moment of the whole experience. Well, except for what happened later.

“In medias res,” indeed. I think I might have been testing to see just how far into the action one could really start a story. :)

If you missed the earlier blog post, I’m currently running a contest to win a copy of To Unimagined Shores. Click the link to get all the details, and take a moment to enter. Or if you can’t wait, you can buy a print or ebook copy (in multiple formats) from thirdpersonpress.com, amazon.com, Barnes & Noble, or Smashwords.

Tales of Tales ~ Part 5: The Ambassador’s Staff

Keeping to the SF side of the equation, I thought I’d take a look today at “The Ambassador’s Staff.” This story was originally published in the anthology Thoughtcrime Experiments. There’s a lot of interesting data on the website, compiled by the editors during and after the process. If you’ve ever thought about putting together an anthology, it makes a very interesting read. You can also read the entire anthology there.

Funnily enough, what I didn’t realize when I submitted the story to this anthology, was that they were particularly looking for stories that had been previously rejected by other markets. I don’t know how I missed that, but I did. This was actually the first place I’d submitted the story, and it was accepted. Oops!

The editors liked it, but wanted me to rewrite the ending to some extent. They gave very clear suggestions, but my first reaction was panic—they wanted it done over the weekend! At first I honestly didn’t know how to tackle it. But after some calming breaths and a hot drink, I got to work, and the editors were happy with the result.

Where I live, there’s talk from time to time of building a launch base for boosting things up into orbit—apparently our geographical location makes it a prime spot for this. It has never materialized (and I somehow doubt that it will, although I would love to be wrong about that), but I did start thinking…what might it look like here in a hundred years or so, if such a thing were built? The result was Cape City, a spaceport town. The other big idea in this story came from—spam! The subject line of a spam email made me imagine a drug called Level…and once again, two ideas clicked and decided they needed to be together.

I followed him to the door and he headed into the street. I watched him through the window, weaving his way through the folks milling around the spaceport, a few going to or from jobs, more just wandering—the street vendors, the homeless, the dealers and the Levelers.

One of those was sprawled in the doorway of Kugar’s video shop across the walklane, and I could tell the way he just stared, not moving, not blinking, that he was Leveled ‘way up. Kugar wouldn’t like that, but if he wanted the Leveler moved, he’d have to pick the guy up and carry him away. Once that white liquid finds its way down their throat or into a vein, they’re living in an alternate reality, and they don’t see, hear, feel or care anything about this one until they come back down.

I sighed and turned away from the window. The joke is that Leveling is the furthest you can get from Earth without actually boarding a ship. If I’d gone off-planet when I’d had the opportunity—well, who knows what would have happened. But chances are I wouldn’t be living in a tiny apartment above my office in a place like Cape City. Even if it was my own office.

“The Ambassador’s Staff” mixes genres, something I’ve realized I really like to do. This one puts a sort of hard-boiled female detective character on the streets of a spaceport town. I’d like to do more with this character as well, and I have a couple of ideas percolating. When she’s ready, I’m sure she’ll tell me how they turn out.

Tales of Tales ~ Part 4: Signs & Portents

So far I’ve been talking about some of the fantasy stories in the collection, so today I thought I’d move over to one of the science fiction stories.

“Signs & Portents” first appeared in Oceans of the Mind, which was a professionally-paying, .pdf-format magazine that published quarterly issues from 2001 to 2006. They were one of the first, as far as I know, to really make a strong attempt at an entirely electronic-based publishing format, and they published some great stories from wonderful writers around the world.

As writers, we’re often asked where we get our ideas. I don’t always have an answer for a particular story, but I do remember this one. Have you ever had the experience of glancing at a note or sign, and reading something quite different than what is actually there? Then you look again and realize that what you thought you saw wasn’t right. Well, there was a period when that seemed to be happening to me a lot.

At about the same time, there was a story going around about a fellow in the nearest city to where I live, who appeared regularly on a street corner, bearing a sign protesting this or that. I don’t know that I ever saw him myself, but an image of him had built itself up in my mind.

So, somewhere in my brain, these two ideas collided (hey, just like in a particle accelerator, which figures largely in the story), and “Signs & Portents” was born. This is the way a lot of my stories seem to happen—two unrelated ideas that meet, shake hands, and decide that they would work well together.

The Sign Man in “Signs & Portents” was one of my favorite characters to write, although he’s not the narrator nor the main character of the story. But I enjoyed figuring out who he was and what he was doing on that street corner, and why his signs were so—well, if I say too much I’ll give things away.

Three days later, my head still bandaged, I walked toward the Sign Man’s corner. He was quiet today. The army fatigues were gone, replaced by a wrinkled blue plaid jacket and paint-speckled olive polyester pants. The ever-present placard read “SPACE SHUTTLES—AS IF!”.

I walked right up to him and just stood for a minute. He fixed me with a placid stare. His eyes weren’t mad at all today. They were quiescent spheres of polished granite.

“How did you know?” I said finally.

“Spare some change?” he asked.

“How did you do it?”

“The space shuttles aren’t real, you know,” he confided. “It’s all just entertainment. Hollywood jerking us.”

“Your sign,” I said. “I saw something on it the other day. A warning, maybe.”

“I’ll sell you the sign,” he offered, tapping today’s placard, “for a dollar.”

I steadied my voice. “No, not this sign. Another sign. A few days ago. It said, ‘Near miss on 24’. I was nearly killed on route 24 on my way home.”

If you missed the earlier blog post, I’m currently running a contest to win a copy of To Unimagined Shores. Click the link to get all the details, and take a moment to enter. Or if you can’t wait, you can buy a print or ebook copy (in multiple formats) from thirdpersonpress.com, amazon.com, Barnes & Noble, or Smashwords.

Tales of Tales ~ Part 3: Winter Bewitched

Today I’m thinking about the story, “Winter Bewitched,” another tale in my collection To Unimagined Shores. This one was described by a colleague who critiqued it as a genre noir story in disguise. It’s set in an unusual fantasy setting, but it is a detective story at heart.

In a chicken-and-egg sort of conundrum, I can’t recall whether I saw this piece of fantasy art first and that inspired the characters of the scribe Jalia and her shapechanging companion, Gemmel, or if I had the characters in mind and went looking for a piece of art to help me visualize them. In any case, this is how they exist in my mind (except that Jalia has no magical abilities, though they are depicted here). The art is by Kay Allen, a wonderful artist who had a gallery at epilogue.net for many years but who seems to have disappeared from there. The only place I can find some of her art now is at artwanted.com, and this picture isn’t there, so I’m very grateful that I saved a copy of it for my reference.

I initially wrote this story for a winter-themed anthology (themed anthologies again!), which did not pan out, but it was included in the first Third Person Press anthology, Undercurrents. The original title was slightly different, but one of my editors suggested that perhaps it gave away the end of the story, so I followed her wise advice and changed it. However, now I always have to stop and think to remember which is the actual title.

We were six days out of Salabad when we crossed the sudden border into winter. One moment the air was warm and dry blowing down from the steppes, and then a frigid breeze sprang up, a rime of frost appeared on the trail ahead, and the sky darkened to the colour of yesterday’s gruel.

I reined in the mare to slip my warm Surcyian cloak over my head, and Gemmin scampered ahead. When his paws hit the frost he turned back, a look of unmistakable dismay on his feline face. Three leaps took him from the ground to my shoulder. He kneaded his long toes into the collar of my cloak as a lock of my hair blew over the crown of his head, giving him a comical auburn topknot.

Enchantments, Jalia, he nuzzled into my ear, in a tongue few mortals would have understood. Gemmin was most comfortable conversing in the words he’d taught me, the language of the strange, inaccessible place of his birth.

I nodded. “A witch, a curse, the usual sort of thing,” I told him. “If you can believe tavern tales told by a half-drunk barkeep.” We were still in the steppes, and at least another fortnight’s travel from the higher altitudes where snow might normally be expected.

Jalia wrote it down? Gemmin asked.

“Of course I did. What kind of scribe lets a good tale go to waste? At any rate, a frosty ground means we’ll have to find lodgings for tonight, whether we can afford it or not. I doubt we’re still being pursued. It was only the price of a meal, after all.”

Jalia beckons trouble always, Gemmin chided me, his whiskers and hot breath tickling my ear.

I’d like to write more stories about these characters; their relationship is complex and is a lot of fun to write. Perhaps someday soon one of them will come knocking on my brain with a problem they need to solve…

If you missed the earlier blog post, I’m currently running a contest to win a copy of To Unimagined Shores. Click the link to get all the details, and take a moment to enter. Or if you can’t wait, you can buy a print or ebook copy (in multiple formats) from thirdpersonpress.com, amazon.com, Barnes & Noble, or Smashwords.