What Do You Want?

coffee-1289296-m

Not all goals are this simple.

I’ve been struggling with a particular character in this novel rewrite, and her motivations. I think she deserves a bigger place in the story than she has now, but I can’t really figure out what she wants. It’s driving me kind of crazy.

One of the points K.M. Weiland makes in Structuring Your Novel: Essential Keys for Writing an Outstanding Story, is the importance of knowing your characters’ goals early on. This makes sense, of course, since it is goals that mainly drive all character actions and reactions. I’ve felt that I really needed to know this character’s motivations and goals before I could go any further, but she was stonewalling me.

However, I’ve come to the conclusion that maybe that’s not actually the problem. I think maybe this character doesn’t really know what she wants, or how she feels about my main character. That would actually make a lot of sense in the context of their history (or more accurately, their non-history). And it also explains why I can’t figure out what she wants or how she feels–she doesn’t know either. She is curious, she thinks she dislikes the main character…but that’s all she really knows. It’s going to take a while for her to figure things out for herself, and figure out what she wants to do with that negative energy.

In our daily lives, we’re frequently conflicted about our feelings, especially toward other people. Often we are not really sure how we feel about someone until we’ve had some interaction with them. We’re all set to like or dislike them based on external factors or things we’ve heard from someone else…and we’re thrown off-balance when the interaction doesn’t meet with our expectations, for good or bad.

So I’m thinking maybe this is not a bad thing with regard to this character. I think we’re going to make this journey together, she and I, and we’ll see how we feel at the end of the story. It should be interesting.

The Knee-Bone’s Connected to the Brain-Bone

dinosaur-2-1018157-m

Fresh air is good for everyone’s bones.

We writers tend to be a sedentary lot, with the exception of a few like Arthur Slade, whose video of his own treadmill desk introduced me to the concept, and Kevin J. Anderson, whom I believe dictates his writing while he walks and hikes. And my friend Steph, who has constructed a standing desk that allows her to glide between writing, pacing, and prowling the environs of her writing room without the annoying obstruction of a chair. Also my friend Nancy, who built her own treadmill desk and uses it with much more consistency than I do mine.

Most of us, though, tend to sit. At desks, kitchen tables, in coffee shops, or curled up with our laptops. Which is nice and comfy and not-all-that-good-for-us.

Lately I am struggling to make the pieces of a novel fall into place. I have a mostly-complete first draft (with a bit of a hole in the middle), but it’s undergoing major renovations in the second draft and I need to do a lot of planning to get those accomplished and retain internal consistency. I’ve worked on it while sitting in a number of my various favorite writing spots, but yesterday I worked on it while walking at my treadmill desk.

And lo, the brain kicked into high gear. I made reams of notes and figured out a raft of things I needed to know.

It’s funny that we all *know* exercise is good for the brain, and yet most of us don’t actually apply that to our most brain-intensive activities. Like writing. Or planning writing.

I’d like to make a resolution to do all the rest of the work on this manuscript while at my treadmill desk, but I know that’s not practical. However, I do plan to log the time I spend on it there, and see what comes of it.

So if you’re struggling with a bit of writing or planning, try heaving yourself up out of that chair and go for a walk while you wrangle with your characters or your plot. Take a notepad or handheld recorder (like your phone) in case inspiration strikes like a wolf from the woods and you don’t trust your memory to make it back home. You might be surprised what a kick in the leg-bone will do for your brain-bone.

Photo credit: mmagallan

The Writer’s Ladder of Success

ladder

Look up…look waaaaaay up….

A long time ago, in 2001, when ebooks were barely a “thing” yet and the only format for them was .pdf (ancient history, I know), I self-published an ebook for writers. It was called The New Writer’s Guide to Just About Everything and yes, it’s still around, although it’s sorely in need of an update and a new edition. Another thing on my too-long to-do list. But I digress.

Today I am thinking about a piece in that ebook, titled “The Writer’s Ladder of Success.” In it, I talked about how some new writers think their first sale is the top rung of that ladder, but in reality, that’s only a few steps up. Writing, I said, is the first rung. Finishing is the second. Submitting is the third. You may be stuck on that rung of the ladder for a while before you can climb up to the next one, which is making a sale. That analogy still holds true, I think.

Then, I said, you climb back down and start climbing all over again, writing, finishing, submitting. I think now, with the wisdom and experience of my years of writing (stop laughing!) I’d look at it differently. I think instead of climbing back down, I’d say we can look at it one of two ways: either we go sideways onto another ladder and start climbing from there, or the ladder we started on just keeps going, stretching up into the distance ahead of us. Either way, we’re not starting from scratch; we’re building on what we’ve already accomplished in order to climb to greater heights. Some might find that long, long ladder too daunting to look up at, and like the idea of shorter ones that lead to another, so either way works.

And either view is far more encouraging than feeling like you’re starting every piece from scratch. Of course that’s true in a way, since each writing project is new and comes with its own unique challenges. But we always have the comfortable cushion of our past accomplishments to buoy us up as we tackle the new.

There’s a saying that a writer is only as good as his or her last book. It’s true that we’re often judged that way–and we have to keep our fans happy or we’ll lose them. That’s a lot of pressure, though. I think we’re much more likely to succeed if we continue to feel good about our past successes–and not lose sight of that part of the ladder we’ve already climbed, stretching away below us. One bad song doesn’t make a failed musician; one strikeout doesn’t make a failed baseball player. Why do we hold ourselves as writers to a stricter standard? Why do critics and readers? I’m not really sure.

I closed out that section of the ebook by saying, “…you were a writer from the time you reached that first rung. Don’t let anyone tell you the ladder is not yours to climb.” I think that’s still good advice. I don’t think I’ll change that, should I ever get around to producing a second edition of The New Writer’s Guide.

Keep writing. Keep climbing. Build on what came before. Good advice, and advice I have to keep reminding myself of as I tackle a new project and a new deadline. Because frankly, I like the view from up here.

Photo credit: mensatic

Considering the Working Plan

Boxes1

I actually have fewer than half this many Christmas boxes. Honest.

I’m not one to get over the holidays very quickly or easily. It’s only a few days since my tree and decorations came down and were put away, and as I write this, mere hours since I finally cleaned all the remnants of holiday leftovers out of the fridge. I love Christmas and New Year’s; they’re happy and busy times for our family, and I like to string them out as looooooong as possible.

However. There does come a time when I have to accept the notion that it’s really, really, really time to get back to work. And that means coming up with a new working plan.

I wonder how many writers there are out there who just work on one project until it’s finished, complete it absolutely, and then move on to the next one. Show of hands? Whew. That’s what I was hoping. I didn’t see a single hand out there among you. Like me, most of you have several projects on the back burner, shoved there by time or necessity over the holidays, just simmering until it’s time for you to stick the spoon in and give them a stir. The question for me is always which one to stir first?

I have one obvious answer this year, a project I’ve been mulling over and even picking at a bit over the holiday break. But there are also a few other unfinished bits of business; a manuscript I have to send out for a critiquing swap, one I have to read for Third Person Press, a couple of stories to line edit, and of course, the queue of stories that prompted me to resolve to make 2014 the Year of Finishing. If I’m gonna finish those, I have to pick them up sometime.

The big project has to be one priority, but does anyone else find they have this little voice in the back of their brain as well, saying, “Oh, but look at this one–it wouldn’t take any time at all to finish! You could get that out of the way first.” Which is a big fat lie, in most cases, because if it was that simple, it would already be finished, right? This is my brain trying to sabotage me because it doesn’t want to go back to work, and what the big project needs right now is going to be…well, I don’t want to say “hard.” “Hard” is digging ditches or working backshifts, and I can’t really lay claim to anything like that as I sit here in my cushy office, can I? But it’s going to take work, and my brain is a lazy old thing.

I think that’s part of why it takes me so long to let go of the holidays. My brain is loathe to go back into “work” mode, so even the end of the season…taking down the decorations, cleaning out the fridge, putting the house back to rights…must take as long as possible. But this is it. The end of that road. The house is back to normal. The fridge is clean. Fresh groceries have been purchased, the laundry basket is empty.

Assess, prioritize, tackle. Working plan, here I come.

Photo credit: By skrewtape (http://www.flickr.com/photos/skrewtape/851672959/) [CC-BY-SA-2.0 (http://creativecommons.org/licenses/by-sa/2.0)], via Wikimedia Commons

A Character Blooms

girl-silhouette-1193153-m

Who are you, anyway?

I have this character who’s been on my mind a lot lately. She’s a part of the novel I’m re-thinking and rewriting right now, and she’s sort of a sub-villain. Well, that’s not exactly right–she’s not really a villain at all, but definitely an antagonist to the main character. She’s had an interesting life, lived largely in the grey areas of society, because of who she is and who her father was. In a way her life has been a big lie, or a series of big lies, but since her father passed away, she’s felt the itch to do something. To confront the forces from her father’s past that impacted their lives every day. She plays a moderately important role in the draft as it stands now, but lately I’ve been thinking her part needs to be expanded. In fact, I’m thinking about getting inside her head a little more, and giving her more of a voice in the story.

She likes the notion, although she’s not giving up all of her secrets to me yet. I know she’s a bit of a maverick, with a devil-may-care attitude and a motivation to make life difficult for my main character. As she’s written right now, that’s almost all I know about her, and that’s the extent of how she comes across. That, and the fact that she has some secrets she’s not yet ready to share.

However, I’m thinking there’s more to her than that. I’m trying to understand her motivations, and, even more importantly, her goals.

Her goals as she was written in the first draft were mainly to find out more information about my main character, and hassle her a little without doing any real damage. Those goals work, but I’ve come to realize that they are not deep enough, or at least that I have not thought them through enough. I don’t really know why she has these goals. I don’t know if she really hates my main character, or only thinks she ought to hate her. I don’t know what she thinks she will get out of her current course of action. I’m not sure she knows, herself.

I do understand something of her motivations–my main character’s family “wronged” this character’s family, or at least that’s the way she sees it. And she definitely wants to do something about that. She’s driven by a mix of curiosity and a desire for vengeance, but she’s also searching for something. She knows that in some important ways, my main character and her family are like her, so I think she’s unwittingly drawn to them. It could be that without meaning to or expecting it, she actually comes to like my main character.

That may influence her actions, or it may only influence how she feels about her actions. I’m not sure yet. The storyline as it currently stands leaves much about this character unresolved, left for another time and another book. I’d like to retain some of this open-endedness, but I’m not sure how I’m going to do it if I do end up inside her head. I’ll have to reveal a lot more about what she knows and how she thinks. It might not be as neat and tidy as it is now.

But I think…I think it will make for a much stronger story, which is really the bottom line, isn’t it? And once we start hearing these little whispers from the characters in our heads, they become pretty difficult to ignore. She’s telling me “I have more to say,” and I think I’d probably be wise to listen…

Photo credit: mzacha

Staring Out the Window

“What no wife of a writer understands is that a writer is working when he’s staring out the window.” ~ Burton Rascoe

window

…this also applies to husband of the writer, children of the writer, friends of the writer, family of the writer…well, you get the picture.

This is the stage I am at with the rewrite I’m working on. Or “working” on, if you happen to drop by and find me staring out the window. I’m doing a very important step in the writing process, which is actually a precursor to writing itself. I’m thinking.

Which is not to say that I’m spending *all* my time thinking. I’m also re-reading, making notes, drawing charts and creating timelines. I’m juggling characters in my head and on index cards. I’m using colored markers to visualize the interconnectedness of people and events.

I’m plotting.

Plotting is something I’m better at doing on the fly, if the truth be known. Or maybe it’s just that my subconscious is often a better plotter than my conscious. I’ve had many novel and short story plots work out when I don’t have things planned down to the last detail–really, when I don’t have them planned at all–when suddenly, somewhere in the middle of writing, there’s this enormous epiphany and my conscious mind realizes that this, and that, and that tie together and make it possible for this to happen and that’s how it all works out in the end. That is a lovely, lovely moment for me, when my subconscious mind is revealed, and lo, it is good.

However. It’s not exactly…dependable. It doesn’t happen every time. Sometimes the epiphany doesn’t come, and I realize that I’ve lost my way, and the writing comes to a full stop. Which is why I have learned that I can’t completely trust my subconscious. Sometimes it’s a wonder, and sometimes it’s a real jerk.

So now I do this thing where I think and think and think and plan and chart and scribble notes and ask myself questions. It’s not an outline. Anyone who writes actual outlines, like my friend Steph, would either laugh or cry if I pointed to my pile of plot refuse and said it was my outline. It’s not an outline, and it’s not a road map, and it’s not even a really badly-drawn treasure map. It’s more like a heap of organic stuff from which, if I plant the right seed, a tree will take root and grow. Some of the nutrients will get used up in growing the tree, and some won’t. I’ll have to add a lot more stuff like earth and water and sunlight (writing and revising and editing?) because the heap itself is only a starting point. But from the heap, good things can emerge.

Hmmm. Did I just say that my plotting style is like heaping up a big pile of manure?

Time to go stare out the window again for a while.

Photo credit: mjio

The Writer’s Test Kitchen

pizza-oven

Some things cook, and some things burn.

I don’t know about other writers, but I, for one, am always looking for a better recipe for writing success. Of course, no single recipe is going to work for every writer, and sometimes it takes a lot of trial and error before you find the combination of ingredients that works for you. Thus, the writer’s test kitchen.

Admittedly, we’re all working with a lot of the same ingredients. Twenty-six letters, check. Determination, check. Imagination, check. Mad wordsmithing skills…hopefully. But that’s not really what I’m talking about. I’m talking more about the practical methodologies, strategies, tricks, lies, and motivators we use to get the job done.

This year, as I mentioned previously, I’m working at being more consistent, and less procrastinate-y. (Is that even a word? If not, I’ve just coined it. Feel free to make use of it as you will.) So here are some of the ingredients I’m cooking up in my test kitchen to see what comes out of the oven at the end of the year:

One daily dose of writing at 750words.com. Yes, I’ve experimented with this ingredient before. It’s got a lot going for it: privacy, motivation, cute badges to earn, reminder emails. I think my longest streak prior to this attempt was 46 days, so I’m out to beat that, at least. 46 days is 34,500 words right there, so whether I use it for blogging, fiction, private rants, or stream of consciousness, it’s productive.

Public goals. Yep, I’m telling the world that I’m finishing some stuff this year. This is a good motivator for me, because I really hate to look like a failure. In anything. Ever. (Note that I have not yet said how many things I will finish this year. Because, see previous sentence.)

Treadmill desk. Although I logged a goodly number of miles at the treadmill desk at the beginning of last year, I did fall off (although not literally) as the year progressed. There were many reasons for this, which I will not bore you with here. However, I have found that I am generally highly motivated to keep writing as long as I keep walking, which should prove useful in trying to be more productive. Also, benefits health-and-weight-wise.

Storylines. Nothing helps me wrangle a manuscript into shape better than doing an index card layout in Writer’s Cafe Storylines. I can visualize the entire story arc, see where characters appear, note the flow of plots and subplots, and insert revision notes exactly where they have to go.

Nirvana app. This little online beauty is great at helping keep goals, lists, and next actions organized and focused. It works on the Getting Things Done principle, and I started using it partway through 2013 with pretty decent success. I’m hoping it will help me stay organized, focused, and also keep me from getting bogged down in those not-writing things.

Evernote. Invaluable for storing notes, ideas, lists, and everything else I will need to keep organized. I use it in conjunction with Nirvava because I like to use Nirvana for time-sensitive things, but Evernote is for, well, everything.

A batch of unfinished manuscripts. Of course, a core ingredient if this is to be the Year of Finishing. I’ll have to vet, assess, and categorize these right off the bat, to see how they might each fit into the yearly plan. For this, I’ll likely use Evernote.

Add all ingredients, mix well, and bake in a consistently hot oven for a year. We’ll see what tasty treats emerge at the end.

Photo credit: Lotus Head

 


Storyboarding with Pinterest

pinterestI know I’m not the first writer to use Pinterest as a visual aid in story-writing, but I was thinking about all the ways it could be used and thought–I may as well think out loud!

I started a Pinterest storyboard for my new novel, [intlink id=”2094″ type=”page”]One’s Aspect to the Sun[/intlink], during one of its numerous rewrites. If I remember correctly, I was trying to draw my mind back into the world of the novel after being away from it for a while, and I always find visual imagery very creatively stimulating. At first the board was a “secret” one, which is a great Pinterest feature for a board you’re not ready to share with the world yet. I was throwing all kinds of things into the mix to put me back inside the story.

Later, though, I realized that it also makes a good marketing tool. With judicious pinning, a writer can create a board that really reflects the mood, genre, time period, setting, and style of a book or story, as well as elements that play into the plot. Potential readers can get an impression about whether the book might be one they’d enjoy. Images can also pique a reader’s interest…why did the author include *this* particular image? My One’s Aspect to the Sun board is here: http://www.pinterest.com/wordsmith101/storyboard-ones-aspect-to-the-sun/

I’m currently creating a Pinterest storyboard for my current NaNoWriMo novel, which has a working title of B.R.A.N.E., Inc. I’m using this board as a repository for things I might want to refer back to as I’m writing, as well as images that represent places in the novel, clothing, ideas, and bits of plot that are floating around in my head but not committed to paper or file yet. I have a mockup of a cover for the book, so that’s there, too. No doubt this board will be a mishmash of many things as the novel develops, but I can always pare it down later to better reflect the actual tale that emerges.

Do you use Pinterest in your writing life? If so, how?

Third Person Press and Grey Area

Grey Area_smThe small press in which I’m a partner, Third Person Press, launched its first Indiegogo fundraising campaign yesterday. It’s been a busy few weeks getting everything set, and a busy few months in the larger planning stages. It’s quite amazing just how much time you can spend thinking about and planning your perks, changing your mind, tweaking, adding, subtracting and rearranging,  to say nothing of creating prototypes and mockups of rewards, writing website copy, and writing emails.

Then the campaign launches, and the real work begins!

Our project for this campaign is Grey Area: 13 Ghost Stories. It’s a collection of ghost stories (obviously), all by authors from Cape Breton or with a substantial connection to Cape Breton. Of course, one doesn’ t have to be from here to appreciate the stories; most of them are not even set here geographically. There’s a wide mix of tales, from scary to spooky to funny. And everyone loves a good ghost story, right?

So, you might be wondering, if the stories have little, if anything, to actually do with Cape Breton, why do we make a point of noting the connection of the authors?

Partly it’s because of our mandate at Third Person Press: we strive to provide a voice and venue for regional fiction and authors in the speculative fiction genres. You may not know it, but there’s a bit of a stereotype that Cape Breton authors (indeed, maybe even Atlantic Canadian authors) all write about farming and fishing and coal mining, with a little bit of historical fiction thrown in for good measure. And while there’s not a thing wrong with those stories, they’re certainly not representative of the whole of our regional fiction!

If you’re familiar with our other titles, you’ll know that we like a broad range of types of stories, and Grey Area is no different. We think they’ll have wide appeal, so if you’re even slightly interested, please check out the campaign and consider supporting us and this project.

“One’s Aspect to the Sun” Progresses

file000497275563Hmmm, I see it’s been a while since I wrote an actual blog post around here. However, that doesn’t mean nothing’s been happening! My novel, One’s Aspect to the Sun, is on track for a November release from Tyche Books. I’ve seen the cover art (amazing!) and just finished proofing the layout (grueling!), so it’s all chugging merrily along. I’ll share the cover here when it’s ready! I’m also working on a new website to support the novel, so there’ll be a few goodies over there as the release date gets closer. Stay tuned.

In other news, Third Person Press is hoping for a fall release for our new ghost story anthology, Grey Area. More on that soon, too!

Photo credit: blueprint, morguefile.com