Create A Submission Tracker in Scrivener

For a long (LONG) time now, I’ve been looking for the perfect way to track manuscript submissions. I used to keep file folders and enter everything by hand, but it was cumbersome when I wanted to look something up, and the out-of-sight out-of-mind rule would also come into play; I could forget what I had out at any given time.

Then I started looking for a software program that would do the tracking for me, but after many (MANY) hours of searching, I could not find exactly what I wanted. Every one I found was either

  • too simple
  • outdated
  • not customizable enough
  • only online (which I didn’t want)
  • too complex, or
  • too expensive

At one point I thought I’d found a good one, paid for it, and spent hours inputting information. It has worked reasonably well, but has also been software-buggy to the point where I no longer trust it. And there’s a newer version, but I’d have to pay for it again. No, thanks.

Not long ago, I discovered the wonderful flexibility of Scrivener. I used it to re-organize and rewrite a novel, and found it extremely helpful for that. I’ve been doing all my writing in it since then. And the other day I had an idea–could I create a submission tracker with it? It seemed possible that I could, so I set about to try.

And, I love it. It takes full advantage of Scrivener’s Binder and Inspector features, as well as the folder/subfolder/text structure. Once set up, data entry for a given work or submission takes no more time than it would in any database program. And the setup is infinitely customizable–once you start thinking about it, you may find you want a setup that’s somewhat different from mine in the details, and that’s perfectly okay and easy to do. It’s the overall idea I want you to take away from this post. I’m no Scrivener power-user; this idea uses only basic techniques and features.

Ready to give it a try? You should be able to do the initial setup in under half an hour if you are at all familiar with Scrivener. I use Scrivener for Windows, so if you’re on a Mac, things might be slightly different (click any image to see it larger).

1. Open a new Scrivener project, and name it Submission Tracker (or whatever you’d like).

folders2. Create a folder for Manuscripts, and one for Publishers. Inside my Manuscripts folder, I also created a few subfolders: Novels, Short Stories, Reprints, and Sold/Retired. Depending on what you write, you may want to divide up your manuscripts even further; perhaps with subfolders for Non-fiction or Poetry. Your goal is to make it easy to quickly locate any given manuscript, so make whatever subfolders make sense for you. (Think about what you want to be able to see at a glance or find quickly when you open the tracker. Use as few or as many subfolders as you like. You can add new subfolders and move manuscripts into them at any time.)

If you wish, you can divide up the Publishers into subfolders, too–Open, Closed, Temporarily Closed, On Hiatus, etc. You can also simply color-code them with labels. More about that later.

3. Now, inside your Manuscripts folder, create a new text document and name it Template.

In this template, you’re going to set up whatever manuscript information you want to record/track. I’ve decided to keep it simple: Word Count, Genre, and a place for Notes. You don’t need to enter the title of the manuscript here, because in each manuscript document, the title will appear where this one says “MS Template”, just under the formatting bar. If you want to use this as a complete Manuscript record as well as a submission tracker, you could record dates (started, finished, etc.) or whether you wrote the piece for a particular market, how much you were paid if it sold, or any other information you want. This template is completely customizable; include whatever you want on it, but don’t forget the KISS principle. Only include what you really think you’ll use.

Below this general data about the manuscript, add a table for entering submissions (you can add a table easily from the formatting bar or the Format menu). Again, track whatever information you wish. I’ve set mine up with Date Submitted, Publisher/Market, Expected Reply, Reply Date, and Outcome. You could just have a Notes area here instead of a table, but I like things NEAT.MStemplate

4. Now create a template in your Publishers folder as well. I’ve kept mine simple: Contact Person, what the market Accepts, and Notes. (Again, you don’t need to add the name; it will already be at the top of the page). You could add things like pay rates, etc., but to save time, I’ll just include a link to submission guidelines in my notes. In my opinion, this is a better idea because you always want the most up-to-date information on any given market.

In my table I have a spot for Manuscript Submitted, Response, and Response Time. That’s all I really need here, because the Manuscript page itself will have all the other information about a particular submission, and there’s no need for me to input it twice. I do want to be able to link manuscripts with publishers in a search, though, so that’s why the manuscript title is included here. Response times matter to me, so I’ve set it up so I can see at a glance how a publisher rates in that department. Include whatever information you want in your table.PUBtemplate

5. One more bit of setup: labels and status. Turn on your Scrivener Inspector (if it’s not on already–the blue “i” button in the upper right corner), and under the View menu, make sure “Use Label Color In Binder” is selected.labelinbinder

Now set your Labels and colors for Manuscripts. I’ve chosen to mark my manuscripts as either Work in Progress, Revision, Ready to Submit, In Submission, Sold, or Retired. Create as many labels as you want. Use them in conjunction with Status information to further detail works that are in draft stages, with beta readers, need line editing, final proofreading, etc.–it depends only on how detailed you want to get and what you want to track.labels-status

I’ve also created a set of labels and colors for Publishers: Currently Open, Reading Periods (for those that are only open to subs at certain times), and Closed (later I added a few more, as you’ll see in the last image). Again, use what works for you. You may choose not to use any labels for Publishers, or you could use labels (or Status) to identify markets you’ve sold to, ones with the best pay rates or response times, publishers where you have a pending submission–whatever information you want. Each manuscript and publisher data sheet can be assigned both a label and a status, AND sorted into a specific folder, so you have many options. Remember that you can change the label color assignments anytime if you want a new look, and add more labels and statuses if you are inputting data and decide you need more.

6. And now you’re ready to input data. Right-click your Manuscript template and make a duplicate from the menu (don’t enter data into your template! You want to keep that blank, and only enter data into copies of it.). Rename the duplicate with the title of your first manuscript, and fill out the appropriate data about the work, and about a submission, if you have one. Bonus idea: use the synopsis area of the Inspector (the index card) to include a brief–you guessed it–synopsis of the work, publication info, or a tagline, pitch, or keywords if you like. You can also use the Document Notes section to store such information, a longer synopsis, etc. sampleMSIf you want to get EVEN MORE FANCY, you can use Edit>Link to insert a link directly to the manuscript file on your computer here. The link will appear wherever your cursor is located in the document. (NOTE: Later, I talk about storing your tracker project on Dropbox or a similar service; naturally, this link will only work on the computer on which the file is actually stored.)

link

If you entered a submission, leave the manuscripts folder and now go to the Publisher template, make a duplicate, and create a sheet for that publisher. In the table, enter the manuscript you’ve submitted, and set the publisher label and status, or sort it into the proper folder if you’ve decided to use them. Again, you can use the Synopsis area to record anything about the publisher you think is notable. And once you’ve entered a Publisher, you never have to do it again; you’ll just be adding new manuscript submissions to the table after that, or possibly updating the publisher status or information in future. samplePUB

If you’re going to populate the tracker with all your past manuscript and submission data, this could take quite a while. But if you keep at it, you will end up with a nice, comprehensive system. Once you’re caught up, you can simply create a new manuscript file whenever you begin a new work, and add a publisher file whenever you submit somewhere new, in addition to entering each new submission you make.

Another cool thing to note: the Binder also shows you, at a glance, how many manuscripts are in a given folder, and how many publishers you have in your system (the little numbers in grey circles).

Suggestions to get the most out of your Scrivener Submission Tracker:

  • Keep manuscripts that are in submission at the top of your list, and always move the most recently-submitted manuscript to the top, inside the Manuscripts folder. This will provide you with a quick visual clue to manuscripts that have been out for a while (they’ll have been pushed further down the list) and may need a followup note
  • Although Scrivener is not, strictly speaking, a database, you can use the search function to make it mimic one. By searching a particular publisher, for instance, you will see in the Binder all the manuscripts you’ve submitted there. Likewise, when you search a manuscript title, the Binder will display all the markets you’ve sent it to. Use the search function creatively and you’ll be able to locate data quickly. If you can think of data you’d like to be able to search, include it in your templates or labels.
  • Labels are meta-data and included in searches, so if you search the name of any label, for example, Work In Progress, the Binder will display all manuscripts with that label.
  • Move sold or retired manuscripts into the appropriate folder so they aren’t cluttering up your list of active works. You’ll also see your numbers of sales at a glance.
  • Move sold manuscripts that may be eligible to reprint into the Reprints folder so you can find them quickly. If you make Reprints a subfolder of Sold, your number of works sold will remain accurate
  • If you want to get really fancy, create a folder (or just a document) at the top of your Binder for keeping notes about calls for submission, deadlines, story ideas, etc.
  • If you use a cloud storage service like Dropbox or one of the many others, save your project file there. Your data will then be accessible from any computer where you have Scrivener installed.

So what does it look like when populated with some manuscripts and publishers? This is only a start on my data, but I think you get the idea (I think I will also be tweaking all the colors so it’s not quite so…garish!). I’ve highlighted some of the features:final

One more thing: Scrivener’s corkboard view. If you click on any folder (say, Short Stories), and you’ve used Statuses to identify what stage each manuscript has reached in the writing process, you can survey them at a glance on the corkboard:corkboard

I have no doubt that an experienced Scrivener user might come up with improvements or ways to make this system even more useful, but this is working for me. Maybe it will work for you, too!

Please feel free to add comments or suggestions!

 

The Murder Prophet Release

MP-cover-FINAL-webIt’s out!

The Murder Prophet released yesterday, and is available for instant download from Amazon.

It already has a five-star review from one of the winners of the Rafflecopter giveaway I ran a while back, which was pretty exciting to see!

There’s also still a giveaway running over on Goodreads if you’d rather try your luck there before plunking down your $3 for the ebook. ;)

The Murder Prophet Blurb

MP cover tease 1

I promised some more details about The Murder Prophet, so here’s what the book is about and a few other tidbits:

Kit Stablefield is a detective with a secret and a crush on a guy she knows only online, in a future where magic is a part of everyday life. But when millionaire Aleshu Coro walks into the offices of Darcko and Sadatake with a message from the Murder Prophet and fourteen days to live, everything changes.

Suddenly Kit is questioning the decisions of her past, trying to find out if the man she loves is, in fact, a man, and hunting for a murderer and a mysterious seer. With her eighty-six-year-old grandmother insisting on helping out, and a sentient goose who simply won’t stop pestering her to watch his “killer” video game moves, Kit has more than her hands full as she races against the clock to prevent Coro’s murder…and possibly her own.

The Murder Prophet is a little hard to categorize. I’m calling it urban fantasy because of the existence of magic, but it doesn’t have vampires, werewolves, fairies or any of the other paranormal elements that seem de rigeur in urban fantasy lately. Also, it’s a mystery, and takes place at least in part in the virtual world of the Netz. See my problem?

But urban fantasy/mystery covers it better than anything else, so that’s what we’ll go with, okay?

Watch for the cover and contest on Friday!

 

Considering the Working Plan

Boxes1

I actually have fewer than half this many Christmas boxes. Honest.

I’m not one to get over the holidays very quickly or easily. It’s only a few days since my tree and decorations came down and were put away, and as I write this, mere hours since I finally cleaned all the remnants of holiday leftovers out of the fridge. I love Christmas and New Year’s; they’re happy and busy times for our family, and I like to string them out as looooooong as possible.

However. There does come a time when I have to accept the notion that it’s really, really, really time to get back to work. And that means coming up with a new working plan.

I wonder how many writers there are out there who just work on one project until it’s finished, complete it absolutely, and then move on to the next one. Show of hands? Whew. That’s what I was hoping. I didn’t see a single hand out there among you. Like me, most of you have several projects on the back burner, shoved there by time or necessity over the holidays, just simmering until it’s time for you to stick the spoon in and give them a stir. The question for me is always which one to stir first?

I have one obvious answer this year, a project I’ve been mulling over and even picking at a bit over the holiday break. But there are also a few other unfinished bits of business; a manuscript I have to send out for a critiquing swap, one I have to read for Third Person Press, a couple of stories to line edit, and of course, the queue of stories that prompted me to resolve to make 2014 the Year of Finishing. If I’m gonna finish those, I have to pick them up sometime.

The big project has to be one priority, but does anyone else find they have this little voice in the back of their brain as well, saying, “Oh, but look at this one–it wouldn’t take any time at all to finish! You could get that out of the way first.” Which is a big fat lie, in most cases, because if it was that simple, it would already be finished, right? This is my brain trying to sabotage me because it doesn’t want to go back to work, and what the big project needs right now is going to be…well, I don’t want to say “hard.” “Hard” is digging ditches or working backshifts, and I can’t really lay claim to anything like that as I sit here in my cushy office, can I? But it’s going to take work, and my brain is a lazy old thing.

I think that’s part of why it takes me so long to let go of the holidays. My brain is loathe to go back into “work” mode, so even the end of the season…taking down the decorations, cleaning out the fridge, putting the house back to rights…must take as long as possible. But this is it. The end of that road. The house is back to normal. The fridge is clean. Fresh groceries have been purchased, the laundry basket is empty.

Assess, prioritize, tackle. Working plan, here I come.

Photo credit: By skrewtape (http://www.flickr.com/photos/skrewtape/851672959/) [CC-BY-SA-2.0 (http://creativecommons.org/licenses/by-sa/2.0)], via Wikimedia Commons

The Writer’s Test Kitchen

pizza-oven

Some things cook, and some things burn.

I don’t know about other writers, but I, for one, am always looking for a better recipe for writing success. Of course, no single recipe is going to work for every writer, and sometimes it takes a lot of trial and error before you find the combination of ingredients that works for you. Thus, the writer’s test kitchen.

Admittedly, we’re all working with a lot of the same ingredients. Twenty-six letters, check. Determination, check. Imagination, check. Mad wordsmithing skills…hopefully. But that’s not really what I’m talking about. I’m talking more about the practical methodologies, strategies, tricks, lies, and motivators we use to get the job done.

This year, as I mentioned previously, I’m working at being more consistent, and less procrastinate-y. (Is that even a word? If not, I’ve just coined it. Feel free to make use of it as you will.) So here are some of the ingredients I’m cooking up in my test kitchen to see what comes out of the oven at the end of the year:

One daily dose of writing at 750words.com. Yes, I’ve experimented with this ingredient before. It’s got a lot going for it: privacy, motivation, cute badges to earn, reminder emails. I think my longest streak prior to this attempt was 46 days, so I’m out to beat that, at least. 46 days is 34,500 words right there, so whether I use it for blogging, fiction, private rants, or stream of consciousness, it’s productive.

Public goals. Yep, I’m telling the world that I’m finishing some stuff this year. This is a good motivator for me, because I really hate to look like a failure. In anything. Ever. (Note that I have not yet said how many things I will finish this year. Because, see previous sentence.)

Treadmill desk. Although I logged a goodly number of miles at the treadmill desk at the beginning of last year, I did fall off (although not literally) as the year progressed. There were many reasons for this, which I will not bore you with here. However, I have found that I am generally highly motivated to keep writing as long as I keep walking, which should prove useful in trying to be more productive. Also, benefits health-and-weight-wise.

Storylines. Nothing helps me wrangle a manuscript into shape better than doing an index card layout in Writer’s Cafe Storylines. I can visualize the entire story arc, see where characters appear, note the flow of plots and subplots, and insert revision notes exactly where they have to go.

Nirvana app. This little online beauty is great at helping keep goals, lists, and next actions organized and focused. It works on the Getting Things Done principle, and I started using it partway through 2013 with pretty decent success. I’m hoping it will help me stay organized, focused, and also keep me from getting bogged down in those not-writing things.

Evernote. Invaluable for storing notes, ideas, lists, and everything else I will need to keep organized. I use it in conjunction with Nirvava because I like to use Nirvana for time-sensitive things, but Evernote is for, well, everything.

A batch of unfinished manuscripts. Of course, a core ingredient if this is to be the Year of Finishing. I’ll have to vet, assess, and categorize these right off the bat, to see how they might each fit into the yearly plan. For this, I’ll likely use Evernote.

Add all ingredients, mix well, and bake in a consistently hot oven for a year. We’ll see what tasty treats emerge at the end.

Photo credit: Lotus Head

 


Over the Shoulder and Down the Road

the-road-to-your-destiny-by-stealth37-nice-wallpaper-1600x1200In other words, looking back and looking ahead. :)

2013 was a great writing year for me. I started the year by completing revisions on One’s Aspect to the Sun, which then came out from Tyche Books in November. So far it’s been getting wonderful reviews and readers really seem to be enjoying it, which makes me very happy. That was my big news and my big accomplishment, but there were other writing accomplishments, too.

My story, “ePrayer,” came out in Third Person Press’ newest anthology, Grey Area, which also added another notch to my editorial belt. Grey Area was partially funded through our Indiegogo campaign, which was quite an experience in itself–time consuming and sometimes frustrating, but ultimately satisfying. Also with Third Person Press, we read submissions and made final decisions for our next anthology, Flashpoint, so we’ll be moving on to line edits for those stories soon.

I finished a short story for submission to another anthology, and that story became the jumping-off point for my NaNoWriMo effort. NNWM was a win, and although that story is far from finished, I’m pleased with it and will continue to work on it.

I also put two other novels into submission, in March. I’m still waiting to hear on those, and, to tell the truth, I’m getting impatient. Having been through the experience of waiting a long time for a publisher and eventually pulling the manuscript, I’ve vowed not to do that again. That’s a blog post all by itself, though, so I’ll talk more about that another day.

I worked on yet another novel manuscript, which is very close to being finished. I had planned a “novel swap” with a writer friend, but it didn’t come to be. I just couldn’t seem to finish the last few chapters in a way that satisfied me. With luck, he’ll still be willing and we’ll get to that this year, once I wrangle those chapters into shape.

I did preliminary revision work on two other unfinished novel manuscripts, and did some background work on Nearspace, the setting for One’s Aspect to the Sun. Yes, there are more stories to be told in that universe. No, I don’t have any details to share with you yet.

All of which is wonderful but…I could do more.

Once upon a time, I used to start more stories than I finished. Over time, I learned that this was, at least in part, due to starting to write too soon. I’d get an idea and start writing before I had let it “simmer” long enough in my brain. I don’t get along well with outlines, but I’ve learned that I do need to be able to see the structure of the story in my head before I start writing that first scene. That scene usually comes to me full-blown, so it’s very, very tempting to just “get it down” quickly. But as I said, I learned not to give in to that temptation, and finished more stories.

However, I find myself in the position of having a lot of unfinished manuscripts on my hard drive again. I’m not sure what the problem is now; partly trying to juggle too many projects, partly spending too much time on “writerly” things that are not actually writing, partly my propensity to procrastinate. (There, I’ve admitted it!) This time they are mostly novels, as opposed to short stories, thanks to NaNoWriMo, but still…they need to be finished. I came close to finishing that one I mentioned earlier, but didn’t quite make it.

Last year I set just one goal for myself for 2013; I would publish a novel. I’ve decided to make 2014 the Year of Finishing. I’m not saying I won’t start anything new this year, of course, but I really like many of these stories that are languishing only partially complete. I want to go back to them, finish writing them, and make them shine.

I also hope to blog more consistently this year. Last night at our New Year’s celebrations I threw two hopes into the resolution box: more consistency and less procrastinating in my writing life overall. With some luck and determination, they should combine to produce more finished manuscripts in the months to come. Stay tuned and we’ll see what happens from here.

Photo credit: Stealth37

Storyboarding with Pinterest

pinterestI know I’m not the first writer to use Pinterest as a visual aid in story-writing, but I was thinking about all the ways it could be used and thought–I may as well think out loud!

I started a Pinterest storyboard for my new novel, [intlink id=”2094″ type=”page”]One’s Aspect to the Sun[/intlink], during one of its numerous rewrites. If I remember correctly, I was trying to draw my mind back into the world of the novel after being away from it for a while, and I always find visual imagery very creatively stimulating. At first the board was a “secret” one, which is a great Pinterest feature for a board you’re not ready to share with the world yet. I was throwing all kinds of things into the mix to put me back inside the story.

Later, though, I realized that it also makes a good marketing tool. With judicious pinning, a writer can create a board that really reflects the mood, genre, time period, setting, and style of a book or story, as well as elements that play into the plot. Potential readers can get an impression about whether the book might be one they’d enjoy. Images can also pique a reader’s interest…why did the author include *this* particular image? My One’s Aspect to the Sun board is here: http://www.pinterest.com/wordsmith101/storyboard-ones-aspect-to-the-sun/

I’m currently creating a Pinterest storyboard for my current NaNoWriMo novel, which has a working title of B.R.A.N.E., Inc. I’m using this board as a repository for things I might want to refer back to as I’m writing, as well as images that represent places in the novel, clothing, ideas, and bits of plot that are floating around in my head but not committed to paper or file yet. I have a mockup of a cover for the book, so that’s there, too. No doubt this board will be a mishmash of many things as the novel develops, but I can always pare it down later to better reflect the actual tale that emerges.

Do you use Pinterest in your writing life? If so, how?

Welcome to Nearspace

Nearspace_hdr3

 

“What’s Nearspace?” I hear you asking.

Nearspace is the future…a future where a dozen solar systems are linked by navigable wormholes, where nanotechnology has extended human lifespans, and where corporations vie for control of planets, star systems, and technology.

It’s the future of my novel One’s Aspect to the Sun, due out from Tyche Books in November, 2013.

Captain Luta Paixon of the far trader Tane Ikai needs to know why she looks like a woman in her thirties–even though she’s actually eighty-four. She isn’t the only one desperate for that information.

The explanation might lie with her geneticist mother, who disappeared over sixty years ago, but even if her mother is still alive, it’s proving to be no small task to track her down in the vast, wormhole-ridden expanse of Nearspace. With the ruthless PrimeCorp bent on obtaining Luta’s DNA at any cost, her ninety-year-old husband asking for one last favor, and her estranged daughter locking horns with her at every turn, Luta’s search for answers will take her to the furthest reaches of space–and deep inside her own heart.

Watch this space for news about the book, background on the world and characters, and short stories that take place in and around Nearspace. It’s going to be fun!

Novel News: One’s Aspect to the Sun

So far, 2013 is turning out to be quite a rollercoaster of a year, which is why my blog has been conspicuously quiet. It’s been a mix of good news/bad news so far, and it’s only the end of March. For the bad news, I will just say that my mom was diagnosed with a life-threatening disease–currently she’s having treatment and getting along well, so while the future is uncertain, the day-to-day right now is on an even keel.

The good news is the exhilarating part of the rollercoaster ride–my science fiction novel, One’s Aspect to the Sun, will be published by Tyche Books, with a tentative release date this fall. The official announcement from their news blog is here. Excitement!

Thus far, Tyche has been a dream to deal with; great communication and response times, a fair and reasonable contract, professional and friendly. Would that all publishers were like this!

 

Help for the NaNo-Panicked (Part 2)

By Filosofias filosoficas (Own work) [CC-BY-3.0 (http://creativecommons.org/licenses/by/3.0)], via Wikimedia CommonsBe Your Own Random Generator

Okay, think of this as a bonus idea if you’re feeling skeptical about the whole idea of using ideas generated by someone else. The germ of this idea comes from the Working Writer’s Daily Planner.

Try to have a quiet block of time when you’re not likely to face many interruptions. Sit down at the computer or grab pen and paper. Now, as quickly as you can, write fifty first lines. You don’t have to know anything about the story they might start. Don’t stop to think too much–if you must, set a timer for twenty minutes and see how many you can do in this amount of time This is just to see what your brain comes up with.

Got that? Good. That’s the part that came from the WWDP. Here’s my expansion on the exercise:

Now start a new list and invent fifty characters. They can be names or short descriptions: “Ludwig Thimbledown” or “a fastidious undertaker” or “a college student with a secret.” They can be archetypes or atypical and unusual. It doesn’t matter. Fifty, as fast as you can.

Getting tired? One more part. A new list, and this time you’re going to write down fifty problems, conflicts, or themes–or any mix of the three. They’re going to be short snappers, like “stolen inheritance” or “demon possession” or “physical loss leads to emotional loss” or “destruction of the natural world.” Whatever pops into your head, jot it down.

Whew! By now your brain is reeling and exhausted, I’m sure. So put your lists away for a little while; an hour or an afternoon or a day. Then when you’re ready, take them out, line them up, and see what happens.

Chances are, there will be some things from each list that you really have no interest in writing about, but others will jump out at you as intriguing. Don’t be afraid to cross some out, highlight others, or put what you feel are the best ones into a separate file or mind map. Play with combinations, try writing a few first paragraphs starting with the lines you like best, put characters and conflicts together, and chances are that story ideas will be sprouting in no time. Sometimes the brain just needs a metaphorical kick in the pants, but the raw material is all in there, just waiting for the right opportunity to make it into the light. Or a chance to mix its metaphors. Or whatever. Just go write!

Image credit: By Filosofias filosoficas (Own work) [CC-BY-3.0 (http://creativecommons.org/licenses/by/3.0)], via Wikimedia Commons