Things to do on Goodreads When You’re Bored

Wait, let me clarify that. I am never bored. There are far too many things I want to do and enjoy doing to ever really be bored. The title of this post should really read, “Things To Do On Goodreads When You’re Procrastinating That Editing You’re Really Supposed To Be Doing But You Can’t Get Your Brain In Gear,” but that doesn’t scan as well, nor does it cleverly mimic any movie titles.

Anyway. I love Goodreads. I really like keeping track of my reading there, posting ratings and reviews, and seeing what other folks are reading. The other night, however, I went poking around to see what else you could do for fun over there. Turns out there are quite a few things, and here are just a few:

Compare Books
You can compare books with any of your friends to see how similar (or dissimilar) your reading tastes are. I discovered that one of my sisters and I have read 30 of the same books, and our tastes are 86% similar for those books. Then I looked at some other friends and acquaintances, and tried to predict how similar our tastes would be before I did the comparison. I was surprisingly good at that.

Take A Quiz
There are loads of quizzes available to take, but my favorite is the Never-Ending Book Quiz. Not because it is easy–oh, no. (I’m running about 73% correct answers at the moment.) I like the variety of the questions that pop up. I like the fact that sometimes I know more than I expected to know. And I like the fact that it’s never-ending. You could sit there for hours and hours and not get to the end. Not, you know, that I would. But I like knowing that I could. And you can add questions of your own, if you’d like.

Join A Group
Whatever your literary interests, there’s probably a group for that at Goodreads. Groups for books, groups for genres, groups for authors, groups for regions–browse your interests and find like-minded folks to talk books with.

Find An Author
Find your favorite author on Goodreads, and you might find interviews (written or video), blog posts, news about new projects–you never know. You can follow them to see what they’re reading, too.

Enter a Giveaway
Authors and publishers can run giveaways through Goodreads for new titles, or those that are less than six months old. It’s completely free to enter these giveaways, so it’s worth looking them over to see if there’s anything you might be interested in. Who knows, you might even win!

Read Creative Writing By Other Members
Members post sample chapters, excerpts, poetry and more, for fun and feedback. You can too, if you’d like. Or just while away some time browsing writing in areas that interest you.

Become a Librarian
So you’ve always secretly longed to be one of those quiet but sexy and intriguing librarian types? Apply to be a Goodreads librarian and make that dream come true. You can be one of the select few overseeing the wonderful world of books on Goodreads. Oh, the power! (I’m just being facetious…being a GR librarian sounds like fun!)

Oh! And surf over to http://www.goodreads.com/about/press. Scroll down to find some cool bookmarks you can print out!

Goodreads is a lively, interactive, fun place for bibliophiles and casual readers alike to hang out. If you’re not a member…what are you waiting for?

Oh, and you can always leave ratings and reviews for your favorite authors, as well…

The 1901 Eaton’s Catalogue

One of the coolest finds in the saga of clearing out my grandparents’ house (for me, at least) was this: the 1901 catalogue from the T. Eaton Company Limited. It’s actually a reprint of that catalogue, produced in 1970, which accounts for its exceptionally good condition. However, it is a faithful reprint of that catalogue, and what I love about it is the wonderful window it opens into the past. I mean, historical/steampunk writer’s reference, anyone?

Browsing through the catalogue is a ton of fun. It’s also an eye-opener in many ways. Yes, we seem to have some weird ideas about what constitutes the ideal feminine form these days. However, this is obviously NOT the first time in history that that has been true. Wasp waists, and oddly low-hanging, ample bosoms seem to have been the ideal of the day. One would think, looking at the corsets in the catalogue, that everything north of the waist would have been pushed dramatically up…but perhaps it’s a function of artist’s license, as well. At any rate, I am prfoundly thankful that I was not shopping from this section.

It’s also kind of mind-boggling to think that almost everything in the catalogue had to be drawn by hand, from all of these household items, to flowers you might want to order.

But what really struck me as I thumbed through it today was this little section: “Paper-covered Books for Summer Reading.”

As you can see, it’s a minuscule selection, when you compare it to the sprawling websites offering books for us to order today (there are other pages to order books in the catalogue, but it’s still a pretty limited number). There’s also nothing to tell you what any of the books are about. You want to know what House of the Wolf by Stanley J. Weyman or What Gold Cannot Buy by Mrs. Alexander are about? Pay your money and take your chance.

Which brings me to my real point. These books are “Printed on Heavy Paper” and cost “7 cents each; postage 2 cents extra.” When I read that, I can’t help thinking about all those .99 ebooks out there. Comparatively, that means that they cost about fourteen times the 1901 paperbacks. (Yes, yes, I know that some folks are going to accuse me of comparing apples to oranges because ebooks have no cost for physical materials, shipping, etc.–but bear in mind that those costs are a relatively small percentage of print book costs today.)

When I browse through the catalogue and see that most other items have increased in cost anywhere from twenty to fifty times (or more!)…I really wonder how we have come to this point. It seems such a devaluation of years of hard work on the part of the writer to say that the story is worth less than a dollar. When we’ll pay two to three times that without blinking for a cup of coffee, and ten to fifteen times that to watch a two-hour movie, it seems to me that something is severely skewed.

I think we need to think about this both as writers and as readers.

Third Person Press E-Sampler

Third Person Press has a little summer reading treat–or teaser–for you. We’ve put together three stories, one each from Undercurrents, Airborne, and the newly-released Unearthed, in a free sampler ebook.

The stories included are: “Winter Bewitched” by Sherry D. Ramsey, “Mind Drifter” by Julie A. Serroul, and “Mud Pies” by Nancy S.M. Waldman. The e-sampler is available in .epub and .mobi formats directly from the Third Person Press website, and in many formats from Smashwords.

If you haven’t read our anthologies and would like a taste of the stories to see if you’d like them, now is the time to take some for a test-drive!

Yard Sale Writing

So, we’ve been getting ready for a big family yard sale in the past few weeks. It seemed to me that there should be a blog post in there somewhere–you can relate anything to writing, right?

It actually wasn’t that difficult to find the connection. Yard sales are all about things that one person is finished with, but still have value to someone else. It’s related to my recent post about reusing words, too, although that’s more about turning one kind of project into something else.

Reprints are one application of yard sale writing. After all, if Editor A liked your story enough to print it, then Editor B might like it just as well. Editor B is not getting a story that’s as new and shiny as it was for Editor A, so the value might be slightly diminished, but it’s still a perfectly good story. And for readers outside the circle of those reached by Editor A’s publication, it’s every bit as new to them. Many of us have stories we’ve sold or published previously, but are just waiting around on a hard drive somewhere to find a new home.

Many writers have started to find “yard sale” money by looking back at older works to which they still have or have regained the rights. E-publishing can sidestep the whole issue of finding an editor/publisher and allow the writer to deliver their product directly into the hands of the smart yard sale shopper. After all, stories show little sign of wear and tear or being “previously loved.” I did this myself last year* with my short story collection, To Unimagined Shores. These were stories that had been professionally edited and vetted and reached an audience–but not the entirety of their possible audience. They still had lots of life in them.

The other way to put yard sale stories to work is to offer them as free samples of your work. Everyone loves free, and everyone likes a chance to sample things before they put their money down. One downside of e-books is the lack of ability to browse, the way we do in bookstores, sampling a paragraph here or a page there. Free excerpts, however, make a great way to introduce readers to your writing, so they might be more likely to make a purchase of your newest work.

So the next time you have a chance, peruse your hard drive, notebooks, and list of previous publications for some yard sale writing. You might be surprised at how shiny it can be if you dust it off and put it on a new shelf.

* Updated in 2018 to add: I now have a second collection of short stories to add to the list, The Cache & Other Stories. Still recycling those tales!

Image courtesy of snowflake5

Reduce, Reuse, Recycle (your words)

Something old can turn into something new, with a little work…

I’m pretty big on “living green” wherever possible, and lately I’ve been thinking about how it’s possible for writers to get more mileage out of their writing projects by recycling, too. That’s because I have a project underway that’s taking something old and making it into something new.

Writers have always had the option of reprints–re-selling something that’s already been published, to a new market–but we don’t always think of doing so. In part, perhaps, because many markets specifically say “no reprints,” we are more likely to be thinking about the next new thing than something we might have published a few years ago. That kind of thinking can make us miss out on opportunities, though.

Another kind of recycling involves taking short stories and building on them for larger projects. This works in reverse, too–sometimes a section of a novel can stand alone as a short story or novella, or provide the seed for a tangential story. Everything does not have to be brand spanking new and shiny all the time.

My current project–and this is the first time I’ve mentioned it to anyone, anywhere–involves taking an old ebook project and revamping it with a new twist. Much of the already-written text is completely reusable, but the new product will (if all goes according to plan) be fresh and new for a new audience. I’m getting kind of excited about it, since I’ve actually had time to work on it lately.

What about you? Do you have something “old” in your writing folder that you can reuse or recycle? Maybe there’s buried treasure on your hard drive, so take a look!

Image courtesy of kathaer at morguefile.com

News Roundup

I’m pleased to announce one winner in my book giveaway: Chuck Heintzelman! Chuck correctly identified the provenance of my collection’s title, To Unimagined Shores, as a line from the poem “The Twilight of Earth” by George William (“A. E.”) Russell:

THE WONDER of the world is o’er:
The magic from the sea is gone:
There is no unimagined shore,
No islet yet to venture on.

Chuck’s copy is winging its way to him now!

In other news, all of our Third Person Press titles, including To Unimagined Shores, are on sale from now until Christmas Day for just 99 cents each! This is a great chance to fill your ereader (or someone else’s) with short speculative fiction to keep them reading into the new year. Click over to the order page at Third Person Press and grab your copies!

And finally, I’ll return to my Tales of Tales posts tomorrow, with a look at another story from the collection.

Tales of Tales ~ Part 7: Common Ground

Staying on the science fiction side of things, today I thought I would talk a little bit about “Common Ground,” another story in my collection To Unimagined Shores.

I actually can’t recall the “inciting incident” or the idea spark that led to this story. It’s based around a colony ship arriving at a new planet to find that it’s not as empty as the colonists expected. It also has a lot to do with parenthood, and I suspect the idea first came to me not long after our daughter was born. I do vividly remember lying awake one night thinking about the story and how excited I was to start writing it. There was a particular idea in it that, at that time, I thought was one of the best things I’d ever come up with. It’s a magnificent feeling, when you know you have a great story idea and it’s just waiting to come to life under your fingertips. The wonderful feeling doesn’t always last, and the story doesn’t always turn out to be as fabulous as you thought it was going to, but those moments of excitement and the feeling that you really have something are priceless.

“Common Ground” was published at Nuketown in 2001. Later, in 2003, the aliens from “Common Ground” formed the basis for one of the alien races who showed up in the novel I was writing for National Novel Writing Month, “One’s Aspect to the Sun.” I had obviously enjoyed writing these aliens. They were one of the first really well-developed alien races I’d created, and they have stayed with me. Years later an editor would tell me, “You really do write great aliens.” She wasn’t talking about these aliens in particular, but I’m quite proud of that comment, and it makes me strive, whenever I create an alien race, to make them very believable.

Once past the end of the garden we saw the cave. A dozen yards distant the shrouded entrance gaped blackly in the rock wall. And under a natural outcropping, half obscured by shadow, stood three aliens.

My stomach churned. My own breath made a hollow whistling sound in my throat. These were the creatures who had our babies. I could not even see them clearly yet, but a fist of fear tightened in my chest.

One of them held up a hand, but we had already stopped. The others were armed, not overtly menacing but standing easily erect, perhaps five feet tall and garbed in wrapped shirts and loose leggings.

The apparent leader gave a short speech, the words a tumbled gibber of growls, yips, and barks. It ended on a questioning note.

It’s the last day to enter my contest to win a copy of To Unimagined Shores. Click the link to get all the details, and take a moment to enter. Or if you can’t wait, you can buy a print or ebook copy (in multiple formats) from thirdpersonpress.com, amazon.com, Barnes & Noble, or Smashwords.

Image “Planetfall by Moonlight” copyright 2010 by Sherry D. Ramsey

Tales of Tales ~ Part 6: On The Road With Fiamong’s Rule

Writing some stories is an uphill slog from start to finish, while others are so much fun to write that they practically seem to write themselves. “On The Road With Fiamong’s Rule” was one of those pure-fun stories for me.

Yet another of my stories that was idea-sparked by an anthology call, this one was originally written for an anthology looking for road trip stories–with, of course, an element of the speculative thrown in. The idea of a human-alien partnership in that road trip materialized quite quickly, as I recall, and as I said, the story seemed to write itself. This was one that I actually finished before the anthology’s deadline date, submitted and had accepted. Alas, something went wrong with the project, the anthology itself never made it to print, and I had to send the story out looking for another home. Such are the vagaries of the writing life.

The good news is that it did find another home, in the premiere issue of the Canadian Neo-Opsis magazine. If you look carefully, you can actually see my name on the cover. That was a first for me. Cool!

This story doesn’t follow a strict chronological timeline–there’s a fair bit of jumping back and forth between the “present” of the story and flashbacks to the past and the events leading up to the story’s “present.” I think I was experimenting a bit when I wrote this one, and I’d probably just been reading something that recommended starting a story “in medias res”–in the middle of the action. To illustrate what I mean by that, here’s the opening:

The worst moment of the whole trip came just before three a.m. on Friday. I stood in the driving rain, mud seeping insidiously into my shoes. The alien’s outline looked enormous in the dark, and the tire iron in his hand even more so, silhouetted against the probing glare of the police car’s headlights. When the cruiser had driven past a moment ago I thought we might be in the clear, but no, it had turned and was coming back.

My credit card was still being held hostage by the jerk at the service station and I had lost the rest of my ID in the motel fire. We had to make it to Ottawa by noon the next day or the entire mission could fail. I had about thirty seconds to think of something to tell the police, and if I didn’t get rid of them quickly, the alien would give himself away and we’d both be in the soup.

What was I, a previously normal at-home-mom of two, doing here? Tim was going to be furious when he found out.

Definitely the worst moment of the whole experience. Well, except for what happened later.

“In medias res,” indeed. I think I might have been testing to see just how far into the action one could really start a story. :)

If you missed the earlier blog post, I’m currently running a contest to win a copy of To Unimagined Shores. Click the link to get all the details, and take a moment to enter. Or if you can’t wait, you can buy a print or ebook copy (in multiple formats) from thirdpersonpress.com, amazon.com, Barnes & Noble, or Smashwords.

Tales of Tales ~ Part 5: The Ambassador’s Staff

Keeping to the SF side of the equation, I thought I’d take a look today at “The Ambassador’s Staff.” This story was originally published in the anthology Thoughtcrime Experiments. There’s a lot of interesting data on the website, compiled by the editors during and after the process. If you’ve ever thought about putting together an anthology, it makes a very interesting read. You can also read the entire anthology there.

Funnily enough, what I didn’t realize when I submitted the story to this anthology, was that they were particularly looking for stories that had been previously rejected by other markets. I don’t know how I missed that, but I did. This was actually the first place I’d submitted the story, and it was accepted. Oops!

The editors liked it, but wanted me to rewrite the ending to some extent. They gave very clear suggestions, but my first reaction was panic—they wanted it done over the weekend! At first I honestly didn’t know how to tackle it. But after some calming breaths and a hot drink, I got to work, and the editors were happy with the result.

Where I live, there’s talk from time to time of building a launch base for boosting things up into orbit—apparently our geographical location makes it a prime spot for this. It has never materialized (and I somehow doubt that it will, although I would love to be wrong about that), but I did start thinking…what might it look like here in a hundred years or so, if such a thing were built? The result was Cape City, a spaceport town. The other big idea in this story came from—spam! The subject line of a spam email made me imagine a drug called Level…and once again, two ideas clicked and decided they needed to be together.

I followed him to the door and he headed into the street. I watched him through the window, weaving his way through the folks milling around the spaceport, a few going to or from jobs, more just wandering—the street vendors, the homeless, the dealers and the Levelers.

One of those was sprawled in the doorway of Kugar’s video shop across the walklane, and I could tell the way he just stared, not moving, not blinking, that he was Leveled ‘way up. Kugar wouldn’t like that, but if he wanted the Leveler moved, he’d have to pick the guy up and carry him away. Once that white liquid finds its way down their throat or into a vein, they’re living in an alternate reality, and they don’t see, hear, feel or care anything about this one until they come back down.

I sighed and turned away from the window. The joke is that Leveling is the furthest you can get from Earth without actually boarding a ship. If I’d gone off-planet when I’d had the opportunity—well, who knows what would have happened. But chances are I wouldn’t be living in a tiny apartment above my office in a place like Cape City. Even if it was my own office.

“The Ambassador’s Staff” mixes genres, something I’ve realized I really like to do. This one puts a sort of hard-boiled female detective character on the streets of a spaceport town. I’d like to do more with this character as well, and I have a couple of ideas percolating. When she’s ready, I’m sure she’ll tell me how they turn out.

Tales of Tales ~ Part 4: Signs & Portents

So far I’ve been talking about some of the fantasy stories in the collection, so today I thought I’d move over to one of the science fiction stories.

“Signs & Portents” first appeared in Oceans of the Mind, which was a professionally-paying, .pdf-format magazine that published quarterly issues from 2001 to 2006. They were one of the first, as far as I know, to really make a strong attempt at an entirely electronic-based publishing format, and they published some great stories from wonderful writers around the world.

As writers, we’re often asked where we get our ideas. I don’t always have an answer for a particular story, but I do remember this one. Have you ever had the experience of glancing at a note or sign, and reading something quite different than what is actually there? Then you look again and realize that what you thought you saw wasn’t right. Well, there was a period when that seemed to be happening to me a lot.

At about the same time, there was a story going around about a fellow in the nearest city to where I live, who appeared regularly on a street corner, bearing a sign protesting this or that. I don’t know that I ever saw him myself, but an image of him had built itself up in my mind.

So, somewhere in my brain, these two ideas collided (hey, just like in a particle accelerator, which figures largely in the story), and “Signs & Portents” was born. This is the way a lot of my stories seem to happen—two unrelated ideas that meet, shake hands, and decide that they would work well together.

The Sign Man in “Signs & Portents” was one of my favorite characters to write, although he’s not the narrator nor the main character of the story. But I enjoyed figuring out who he was and what he was doing on that street corner, and why his signs were so—well, if I say too much I’ll give things away.

Three days later, my head still bandaged, I walked toward the Sign Man’s corner. He was quiet today. The army fatigues were gone, replaced by a wrinkled blue plaid jacket and paint-speckled olive polyester pants. The ever-present placard read “SPACE SHUTTLES—AS IF!”.

I walked right up to him and just stood for a minute. He fixed me with a placid stare. His eyes weren’t mad at all today. They were quiescent spheres of polished granite.

“How did you know?” I said finally.

“Spare some change?” he asked.

“How did you do it?”

“The space shuttles aren’t real, you know,” he confided. “It’s all just entertainment. Hollywood jerking us.”

“Your sign,” I said. “I saw something on it the other day. A warning, maybe.”

“I’ll sell you the sign,” he offered, tapping today’s placard, “for a dollar.”

I steadied my voice. “No, not this sign. Another sign. A few days ago. It said, ‘Near miss on 24’. I was nearly killed on route 24 on my way home.”

If you missed the earlier blog post, I’m currently running a contest to win a copy of To Unimagined Shores. Click the link to get all the details, and take a moment to enter. Or if you can’t wait, you can buy a print or ebook copy (in multiple formats) from thirdpersonpress.com, amazon.com, Barnes & Noble, or Smashwords.