The Writer’s Test Kitchen

pizza-oven

Some things cook, and some things burn.

I don’t know about other writers, but I, for one, am always looking for a better recipe for writing success. Of course, no single recipe is going to work for every writer, and sometimes it takes a lot of trial and error before you find the combination of ingredients that works for you. Thus, the writer’s test kitchen.

Admittedly, we’re all working with a lot of the same ingredients. Twenty-six letters, check. Determination, check. Imagination, check. Mad wordsmithing skills…hopefully. But that’s not really what I’m talking about. I’m talking more about the practical methodologies, strategies, tricks, lies, and motivators we use to get the job done.

This year, as I mentioned previously, I’m working at being more consistent, and less procrastinate-y. (Is that even a word? If not, I’ve just coined it. Feel free to make use of it as you will.) So here are some of the ingredients I’m cooking up in my test kitchen to see what comes out of the oven at the end of the year:

One daily dose of writing at 750words.com. Yes, I’ve experimented with this ingredient before. It’s got a lot going for it: privacy, motivation, cute badges to earn, reminder emails. I think my longest streak prior to this attempt was 46 days, so I’m out to beat that, at least. 46 days is 34,500 words right there, so whether I use it for blogging, fiction, private rants, or stream of consciousness, it’s productive.

Public goals. Yep, I’m telling the world that I’m finishing some stuff this year. This is a good motivator for me, because I really hate to look like a failure. In anything. Ever. (Note that I have not yet said how many things I will finish this year. Because, see previous sentence.)

Treadmill desk. Although I logged a goodly number of miles at the treadmill desk at the beginning of last year, I did fall off (although not literally) as the year progressed. There were many reasons for this, which I will not bore you with here. However, I have found that I am generally highly motivated to keep writing as long as I keep walking, which should prove useful in trying to be more productive. Also, benefits health-and-weight-wise.

Storylines. Nothing helps me wrangle a manuscript into shape better than doing an index card layout in Writer’s Cafe Storylines. I can visualize the entire story arc, see where characters appear, note the flow of plots and subplots, and insert revision notes exactly where they have to go.

Nirvana app. This little online beauty is great at helping keep goals, lists, and next actions organized and focused. It works on the Getting Things Done principle, and I started using it partway through 2013 with pretty decent success. I’m hoping it will help me stay organized, focused, and also keep me from getting bogged down in those not-writing things.

Evernote. Invaluable for storing notes, ideas, lists, and everything else I will need to keep organized. I use it in conjunction with Nirvava because I like to use Nirvana for time-sensitive things, but Evernote is for, well, everything.

A batch of unfinished manuscripts. Of course, a core ingredient if this is to be the Year of Finishing. I’ll have to vet, assess, and categorize these right off the bat, to see how they might each fit into the yearly plan. For this, I’ll likely use Evernote.

Add all ingredients, mix well, and bake in a consistently hot oven for a year. We’ll see what tasty treats emerge at the end.

Photo credit: Lotus Head

 


Over the Shoulder and Down the Road

the-road-to-your-destiny-by-stealth37-nice-wallpaper-1600x1200In other words, looking back and looking ahead. :)

2013 was a great writing year for me. I started the year by completing revisions on One’s Aspect to the Sun, which then came out from Tyche Books in November. So far it’s been getting wonderful reviews and readers really seem to be enjoying it, which makes me very happy. That was my big news and my big accomplishment, but there were other writing accomplishments, too.

My story, “ePrayer,” came out in Third Person Press’ newest anthology, Grey Area, which also added another notch to my editorial belt. Grey Area was partially funded through our Indiegogo campaign, which was quite an experience in itself–time consuming and sometimes frustrating, but ultimately satisfying. Also with Third Person Press, we read submissions and made final decisions for our next anthology, Flashpoint, so we’ll be moving on to line edits for those stories soon.

I finished a short story for submission to another anthology, and that story became the jumping-off point for my NaNoWriMo effort. NNWM was a win, and although that story is far from finished, I’m pleased with it and will continue to work on it.

I also put two other novels into submission, in March. I’m still waiting to hear on those, and, to tell the truth, I’m getting impatient. Having been through the experience of waiting a long time for a publisher and eventually pulling the manuscript, I’ve vowed not to do that again. That’s a blog post all by itself, though, so I’ll talk more about that another day.

I worked on yet another novel manuscript, which is very close to being finished. I had planned a “novel swap” with a writer friend, but it didn’t come to be. I just couldn’t seem to finish the last few chapters in a way that satisfied me. With luck, he’ll still be willing and we’ll get to that this year, once I wrangle those chapters into shape.

I did preliminary revision work on two other unfinished novel manuscripts, and did some background work on Nearspace, the setting for One’s Aspect to the Sun. Yes, there are more stories to be told in that universe. No, I don’t have any details to share with you yet.

All of which is wonderful but…I could do more.

Once upon a time, I used to start more stories than I finished. Over time, I learned that this was, at least in part, due to starting to write too soon. I’d get an idea and start writing before I had let it “simmer” long enough in my brain. I don’t get along well with outlines, but I’ve learned that I do need to be able to see the structure of the story in my head before I start writing that first scene. That scene usually comes to me full-blown, so it’s very, very tempting to just “get it down” quickly. But as I said, I learned not to give in to that temptation, and finished more stories.

However, I find myself in the position of having a lot of unfinished manuscripts on my hard drive again. I’m not sure what the problem is now; partly trying to juggle too many projects, partly spending too much time on “writerly” things that are not actually writing, partly my propensity to procrastinate. (There, I’ve admitted it!) This time they are mostly novels, as opposed to short stories, thanks to NaNoWriMo, but still…they need to be finished. I came close to finishing that one I mentioned earlier, but didn’t quite make it.

Last year I set just one goal for myself for 2013; I would publish a novel. I’ve decided to make 2014 the Year of Finishing. I’m not saying I won’t start anything new this year, of course, but I really like many of these stories that are languishing only partially complete. I want to go back to them, finish writing them, and make them shine.

I also hope to blog more consistently this year. Last night at our New Year’s celebrations I threw two hopes into the resolution box: more consistency and less procrastinating in my writing life overall. With some luck and determination, they should combine to produce more finished manuscripts in the months to come. Stay tuned and we’ll see what happens from here.

Photo credit: Stealth37

There’s Something About A World-Build…

Asteroid_Parade_by_wordsmith101.pngSometimes I feel sorry for writers who don’t write science fiction and fantasy. I mean, sure, they often get more respect than we do…but they don’t get to build worlds.

They get to create settings, it’s true. But I’m talking about creating worlds…landscapes, starscapes, races, creatures, plants, languages, natural (and unnatural) laws–the whole thing. And then, once we’re through creating the worlds, we get to play in them. Even better!

There are, admittedly, dangers and traps for the unwary in world-building. Sometimes we get too immersed in that side of the process and build far more than we need for the purposes of the story. The worlds we create require a lot of internal consistency if they’re going to stand up to the scrutiny of editors and readers. Here are a few tips to keep in mind when world-building:

1. Find the balance between simplicity and complexity. Your world needs to have enough complexity to feel realistic and believable, but not so much that you get bogged down in details that don’t matter to the story. If you find yourself trying to decide what species of grass might grow on a hillside that your characters never visit, it might be time to pull back.

2. Do your research. We have access to tons of data on the planets in our solar system and some exo-planets, as well as on stars, nebulae, weather systems, geological patterns and all the other things you might have to consider for your world. Do your homework so you don’t make egregious scientific errors–they’ll call your entire story into question even if you do everything else right. If you want or need to do something extraordinary, make sure there’s some reasonable explanation (that is, reasonable within the context of the story) for why things are the way they are.

3. Be consistent. Yes, these worlds are imaginary, but they still require internal consistency if you want your readers to buy into the tale you’re spinning. If your world has magic, it needs rules, and these rules should be the same at the end of the book as they were at the beginning. If your world has science, make sure it works or that you make it at least plausible. Don’t play fast and loose with your readers’ expectations; give them a world that feels solid beneath their feet.

4. Keep records or notes. You’ve heard of the idea of tv and movie series having a “bible” that contains all the relevant data for the world of the series. It’s wise to do something similar with your own worldbuilding, so that you can easily maintain that necessary consistency. A document like this allows you to check details, note changes or exceptions, and use it as a quick reference when writing or editing. It can also evolve into a place for notes on future stories, conflicts, and the past and future history of your world.

5. Have fun. World-building can be a lot of work, but it’s also a lot of fun. It’s creating a playground that you will populate with characters and conflicts, and that you may keep coming back to as stories emerge from the cloth of this background you’ve woven. Take time to enjoy it. The more fun you have creating it, the more fun your readers will have visiting it…and they’ll want to return.

I spent quite a long time developing the Nearspace universe…although it’s grounded in our own solar system and star systems we know about, there was lots of room for creating and envisioning new planets, races, science, and language. And I do have a Nearspace “bible,” so with a little diligence, it’s easy to keep it consistent as well. I’m sure there are more stories to tell…

Storyboarding with Pinterest

pinterestI know I’m not the first writer to use Pinterest as a visual aid in story-writing, but I was thinking about all the ways it could be used and thought–I may as well think out loud!

I started a Pinterest storyboard for my new novel, [intlink id=”2094″ type=”page”]One’s Aspect to the Sun[/intlink], during one of its numerous rewrites. If I remember correctly, I was trying to draw my mind back into the world of the novel after being away from it for a while, and I always find visual imagery very creatively stimulating. At first the board was a “secret” one, which is a great Pinterest feature for a board you’re not ready to share with the world yet. I was throwing all kinds of things into the mix to put me back inside the story.

Later, though, I realized that it also makes a good marketing tool. With judicious pinning, a writer can create a board that really reflects the mood, genre, time period, setting, and style of a book or story, as well as elements that play into the plot. Potential readers can get an impression about whether the book might be one they’d enjoy. Images can also pique a reader’s interest…why did the author include *this* particular image? My One’s Aspect to the Sun board is here: http://www.pinterest.com/wordsmith101/storyboard-ones-aspect-to-the-sun/

I’m currently creating a Pinterest storyboard for my current NaNoWriMo novel, which has a working title of B.R.A.N.E., Inc. I’m using this board as a repository for things I might want to refer back to as I’m writing, as well as images that represent places in the novel, clothing, ideas, and bits of plot that are floating around in my head but not committed to paper or file yet. I have a mockup of a cover for the book, so that’s there, too. No doubt this board will be a mishmash of many things as the novel develops, but I can always pare it down later to better reflect the actual tale that emerges.

Do you use Pinterest in your writing life? If so, how?

Eleven Reasons to Talk to Your Characters

conversation

My husband hates it when I talk about my characters as if they are autonomous beings–when they surprise me, or won’t seem to do or act the way that I want. He can’t quite get his head around that aspect of the writing life–and I realize that not all writers feel this way, either. Now, intellectually, I know that I am in control of what these imaginary beings do, say, and feel. But it doesn’t always feel that way.

That’s why I think it’s important for us as writers to spend a little bit of time “talking” to our characters. Getting to know them. Because although they are imaginary beings, they are also, on some level, little windows into our own psyches or the psyches of people we know, and the better we understand them, the more they will come across as real to our readers. You can talk to your characters in many different ways: have a mental conversation with them, write out a bit of dialogue between the two of you, take an online personality test and answer it the way your character would, write a journal entry for them, interview them as if you were writing for a magazine or news story. Or come up with your own methods. (However, you may not want to let your significant other catch you talking to your characters out loud.)

Why do these exercises? Here are 11 reasons:

1. If the character is real to you, they’re more likely to feel real to your readers.

2. Your character has to have believable motivations for what they say and do. Let them tell you what those motivations are.

3. Talking with your character helps you find that character’s voice, so they’ll sound consistent throughout the story.

4. The more you know about your character’s secrets, the more you’ll understand how they impact him or her. And what he or she will do to protect them.

5. Sometimes you character’s priorities will not match what you think they should be. Give your character a chance to explain this to you.

6. “Talking” to your characters can break down your own mental barriers (like feeling stuck in a story)–giving your characters a voice and control can allow you to let them “take over” for a while and sidestep that sticky point where you don’t know what to write.

7. Even if you think you’ve worked up a thorough background for your character, you never know what telling detail will insert itself or come to light when you give the character a little free rein.

8. Telling your character why something has to happen to them and how you think they’ll react can open new plot doors and windows–especially if they want to argue the point with you.

9. If you treat your character as a separate entity, there’s less chance they’ll just end up sounding like you.

10. It’s better to know about your character’s long-lost brother at the beginning of the story instead of having them spring it on you halfway through.

11. The better you know your characters, the less likely you are to become blocked as you find your way along the path of your story.

Image Credit: http://www.sxc.hu/profile/miamiamia

A Funny Thing Happened on the Way to an Outline…

mapSo, I had tapped this writing year to be a year of finishing things. Unfinished stories, unfinished novels; they were going to be my focus. Some of that focus has been distracted by other happenings, but that’s still The Plan.

I’ve been reading Mira Grant’s Newsflesh series, which got me thinking about my partially-written 2011 NaNoWriMo novel, “Survival Skillz” (because zombies beget more zombies, ya know?). So I hauled out the manuscript and started reading it earlier this week. I discovered, to my surprise, that it’s in much better shape than I remembered. Likely because when I left it, I did so because, well–I didn’t know what was going to happen next. I was stuck. So it left a sort of bitter taste in my mouth.

That’s a not-uncommon problem for us discovery writers (aka “pantsers”). I’ve discovered, over time, that the problem is much less likely to crop up if I’ve thought a storyline through enough before I start writing, but depending on the year and circumstances in the rest of my life, that’s not always possible for NaNoWriMo. That’s what happened with Skillz: I loved the general idea and the characters, but I ran out of plot fuel along the way and the story got bogged down.

Well, it seemed to me that the sensible way to tackle the problem now was to have a think about the story (with the benefit of time and distance for clarity) and come up with an outline for the rest of the novel before attempting to write it. You have no idea what terror this strikes in my heart, because I do not have a very…successful…relationship with outlines. In this case, though, it seemed like I should be all sensible and do one.

I set about researching various ways of creating outlines, and even tapped a writer friend who is wise in the ways of outlines to blog about her methods. I tried to get in the correct frame of mind by updating my work-in-progress outline for the story as far as it went (I do this in Storylines, concurrently with writing a first draft because it really simplifies things in the later revision process). I fleshed out some background data on the existing story. I looked at some other outline-creating software (and decided I still liked Storylines best).

And…yesterday I realized what had to happen next in the story. I realized the probable fate of one of the characters. Today I wrote a whole new next chapter.

I still don’t have an outline. I’ll probably still try to write one, so that maybe I won’t get stuck again. But I guess I’ve remembered that even just sitting down and immersing myself in the story can get me a little further along the path to The End. And however I get there, as long as I get there, that’s what matters.

Photo credit: ariadna

The Resolution (It Took A While)

books-CRW_5724Resolutions, goals, plans–whatever you like to call them, I do like to make at least one for the new year. My best goal planning usually comes in September, but that’s because my life still largely revolves around the school year. But, yes, January is a good planning time, too.

But I wasn’t sure what to say about that…how to get specific…seems like I’ve made lots of plans and goals (particularly to do with writing) before. Some pan out, some don’t, some get shoved aside by other things and some get forgotten. I didn’t really want to repeat myself, so I’ve been pondering the matter (when this rewrite I’m immersed in gives me time to ponder, which isn’t often).

And then I remembered. I do have one plan for this year. I’m going to publish a novel.

It might be via the traditional route, it might be a Kindle serial, it might be completely self-published, or it might be some weird hybrid that I can’t put a name on right now.

But it’s coming before the end of 2013…so stay tuned.

Eleven Reasons To Love Deadlines

Photo by stockarch“Yeah, right,” I can hear you saying. “Deadlines are horrible. Deadlines are stressful. Nobody likes deadlines, let alone loves them!”

Well, I can see your point. Even the name is kind of scary, isn’t it? Deadline. Obviously there are going to be dire consequences if such a thing arrives and you are not prepared.

For writers, though (as well as others, but on this blog, we mainly talk writers, right?), having a deadline can be a positive experience—if you look at it in the right light. Here are eleven* reasons that a deadline can actually be your friend.

1. Deadlines force you to plan your time realistically. You’re always trying to get more organized and use your time better, right? Well, a deadline will make you look at how you’re spending your time and how much time it actually takes you to accomplish something. If you take that knowledge with you beyond the deadline, that time-planning can spill over into your other work and help your productivity beyond this one project.

2. Deadlines make you take control of your work instead of letting it control you. This is a common pitfall for writers; let me give you an example. If you are going to have this eight-thousand-word short story ready to submit before the submission period closes, you don’t have the luxury of following every whimsy of subplot and character idiosyncrasy that your brain comes up with. You have to write this story in a good tight first draft, edit it judiciously, and call it done. You have to take control. Bring that kind of control to other projects, and you’ll end up more productive overall.

3. Deadlines force you to be focused and efficient. Here’s another example. You have five days to finish this manuscript. It shouldn’t take you more than one of those five days to figure out, for instance, that you work most productively in the mornings and are essentially useless after dinner. The next four days, you’re going to make sure you spend time on your deadline project in the mornings. Take this knowledge with you to the next project, and stop doing email and blogging in the mornings instead of writing. Let deadlines teach you skills that go beyond a single project.

4. Deadlines force you to re-evaluate your level of perfectionism. If you have too many manuscripts sitting around on your hard drive because they’re just “not quite ready yet,” this one is for you. Yes, you may end up with a less-than-perfect manuscript if you set a deadline to finish it. But the perfect manuscript is something of a mirage, anyway. Better to have a finished one in submission than a never-done one languishing in a drawer.

5. Deadlines make you develop strategies to bypass procrastination. This one doesn’t need much explanation. You may have the cleanest house on the block or be the best Angry Birds player in town, but if you’re going to meet deadlines, you have to learn to recognize and bypass your own procrastination strategies. One way to do this is to make your procrastination tasks reward tasks instead. You can play ten minutes of Angry Birds or switch your laundry loads along after you work on your project for an hour (be sure to set timers for both!). You may find such things less appealing as rewards. If so, swap them out for something that really appeals to you–as a reward.

6. Deadlines make you realize what it is actually possible for you to achieve. Anyone who’s participated successfully in NaNoWriMo understands this one. Deadlines take all the skills we’re talking about here and let you smoosh them into a big ball of I-can-do-this. And once you know what’s possible…well, you’re likely to take on, and accomplish, more.

7. Deadlines allow you to plan for what’s beyond the deadline. If you have a deadline to meet, it means you’re actually going to finish this project and be able to move on to something else. No-one really wants to edit the same novel manuscript for the rest of their lives, do they? Of course not! You want to finish something so you can get to the Next Big Thing. But neither do you want to drop half-finished projects just to get to the next one. Deadlines let you set parameters to work on things, finish them, and then move ahead.

8. Deadlines help you figure out what your real priorities are. This is sort of related to #7. Sometimes you’ll have to choose between projects because of conflicting deadlines. If you’ve been dithering, trying to work on two or more projects but not really making satisfying progress on anything, a deadline can make you choose what’s important and focus on that.

9. Deadlines make you stop wasting time and actually complete something. Maybe you’re one of those people who’s always talking about writing but not really writing. Maybe you’ve been working on the same damn manuscript for so long that even you’re sick of it. Maybe you’re really trying to write, but something is holding you back—fear of failure, fear of success, yada, yada, you know the list as well as I do. A deadline can make you, er, produce—or get off the pot.

10. Deadlines let you cross something off your project list. Ah, the list. Don’t tell me you don’t have one, and that you don’t know the sweet, sweet satisfaction of crossing something off it. And if you don’t, you should make one. Really. Because there’s nothing as lovely as “Finish X by DD/MM/YYYY” with a big fat strikethrough running across it.  Unless it’s writing “The End.”

Off to try and meet a big deadline of my own.

*Why eleven? Because everyone does lists of ten. I’m trying to think outside the box, here, people.

Photo credit: stockarch

Help for the NaNo-Panicked (Part 2)

By Filosofias filosoficas (Own work) [CC-BY-3.0 (http://creativecommons.org/licenses/by/3.0)], via Wikimedia CommonsBe Your Own Random Generator

Okay, think of this as a bonus idea if you’re feeling skeptical about the whole idea of using ideas generated by someone else. The germ of this idea comes from the Working Writer’s Daily Planner.

Try to have a quiet block of time when you’re not likely to face many interruptions. Sit down at the computer or grab pen and paper. Now, as quickly as you can, write fifty first lines. You don’t have to know anything about the story they might start. Don’t stop to think too much–if you must, set a timer for twenty minutes and see how many you can do in this amount of time This is just to see what your brain comes up with.

Got that? Good. That’s the part that came from the WWDP. Here’s my expansion on the exercise:

Now start a new list and invent fifty characters. They can be names or short descriptions: “Ludwig Thimbledown” or “a fastidious undertaker” or “a college student with a secret.” They can be archetypes or atypical and unusual. It doesn’t matter. Fifty, as fast as you can.

Getting tired? One more part. A new list, and this time you’re going to write down fifty problems, conflicts, or themes–or any mix of the three. They’re going to be short snappers, like “stolen inheritance” or “demon possession” or “physical loss leads to emotional loss” or “destruction of the natural world.” Whatever pops into your head, jot it down.

Whew! By now your brain is reeling and exhausted, I’m sure. So put your lists away for a little while; an hour or an afternoon or a day. Then when you’re ready, take them out, line them up, and see what happens.

Chances are, there will be some things from each list that you really have no interest in writing about, but others will jump out at you as intriguing. Don’t be afraid to cross some out, highlight others, or put what you feel are the best ones into a separate file or mind map. Play with combinations, try writing a few first paragraphs starting with the lines you like best, put characters and conflicts together, and chances are that story ideas will be sprouting in no time. Sometimes the brain just needs a metaphorical kick in the pants, but the raw material is all in there, just waiting for the right opportunity to make it into the light. Or a chance to mix its metaphors. Or whatever. Just go write!

Image credit: By Filosofias filosoficas (Own work) [CC-BY-3.0 (http://creativecommons.org/licenses/by/3.0)], via Wikimedia Commons

Help for the NaNo-Panicked (Part 1)

Image courtesy of UncyclomediaOkay, it’s October 5th, 26 days until NaNoWriMo, and you don’t know what you’re writing about. You know folks who have been planning this year’s novel for months (we hates, them, Precious, what has they got in their pocketses? Index cards!), but you have–nothing. No plot, no characters, no ideas.

It’s a horrible place to be, but there’s hope. And that hope has a name–random generators.

As an experiment, one year for NaNoWriMo, I wrote a novel which was almost entirely based on the results of random generators. I started with the title. Then anytime I needed to name a character, create a place or object, or find a plot twist, I went to a generator. I can hear you laughing, but here’s a secret–that novel is one of the ones that I, in my ten-year expedition with NNWM, completed, edited, and am now doing the final line-edit pass on before sending it out to a publisher. It’s one of my best stories. So don’t be too quick to pooh-pooh the idea of generators.

The thing about generators is knowing how to use them. They are great for sparking ideas, putting together ideas that you might not have thought of combining, and pulling words up to the top of your subconscious where you can play with them. You don’t have to feel constrained by them…once that idea is sparking, it will eventually take on a life of its own.

Here is a list of a few generators that I particularly like. Play around with them–don’t just look for loglines, bring up some plot twists, conflicts, character names, oddities, anything at all–and write down anything that sounds interesting. Maybe use a mind map like Freemind to gather together everything that speaks to you, and then look for connections in the jumble of ideas. Think of it as brainstorming, with the help of an outside brain. :)

StoryToolz.com: At StoryToolz, you’ll find a generator that gives you three conflicts, and a brief explanation of how to use them to flesh out a story idea. There’s also a random conflict generator, and a half title generator.

Seventh Sanctum: Here you’ll find a motherlode of generators, for all sorts of endeavours. You might want to start with the ones in the writing section for story ideas, but you never know where inspiration will strike!

The Writer’s Den at Pantomimepony: Another great collection of generators, including one for first lines. Sometimes a great first line is all you need to grow a story. (I tried it out and got: “That weekend, shortly before the parrot bit my Dad, Aunt Maude became a gangster’s tailor.” Now really, if you can’t grow a story out of that, there’s something wrong with you!)

Serendipity: Although recovering from a spam attack that took the old site down, the owner has restored some of the generators here and I hope will be able to continue to add more back in–this was one of my favorites.

Archetype: Three nice generators here, along with a link to a great article on all the different ways of beginning your story.

There are lots more generators on the net; if you don’t like these, do a search and find one that suits you. In my next post, we’ll take a look at a way to be your OWN random generator. Sounds like fun, huh?